_Fitz-Growl._--And me too. I say, sir, remember me!
(_Exeunt Scowl and Fitz-Growl with melodramatic eye-rollings._)
_Manager._--Well, I hope all the applications won't be like this, or I
shall never get a company.
(_Enter a Bill-sticker._)
_Manager._--Well, my good fellow, who are you?
_Bill-sticker._--Why, I'm one of your best friends; I'm the
bill-sticker. Nobody sticks up for you like I do.
_Manager._--Well, but what do you want?
_Bill-sticker._--Why, sir, I'm sorry to say that as fast as I put your
bills up, somebody else comes and pulls them down.
_Manager._--How is that?
_Bill-sticker._--I don't know, sir. It's werry ungentlemanly, whoever
does it. The fact is, sir, your bills meet with as much opposition as
bills in Parliament; and I'm sure I don't know why, unless it is that
they are what we call money-bills.
_Manager._--Perhaps they are too large, and occupy too much space: you
know the printing is very large, the type is bold, and the capitals are
immense.
_Bill-sticker._--That's it, sir. It's the immense capital; it's such a
novelty in theatres that they're all afraid of it. Shall I pull down
their bills, sir?
_Manager._--Certainly not. I will never sanction those whom I employ in
unworthily attempting to hurt the interests of others. My theatre is for
the amusement of all, and the employment of many; but the injury of none.
_Bill-sticker._--Oh! if that's your motto, everybody ought to stick up
for you; and I'm sure I will for one.
_Manager._--Thank you, friend, for the promise of your influence.
_Bill-sticker._--And it's no mean influence, either; for, though only
one poor fellow, I carry more bills in a day than the House of Commons
carries in a whole session.
(_Exit Bill-sticker._)
_Manager._--Well! management does not seem so smooth, after all: one
meets with vexations now and then, I fear. Oh! who comes now?
(_Enter Queershanks._)
_Manager._--Your pleasure, sir?
_Queershanks._--My name is Queershanks. You have built a theatre, have
you not?
_Manager._--I have, sir.
_Queershanks._--Very good: then you will want a model.
_Manager._--A model after it is built?
_Queershanks._--Certainly: but not a model of a theatre; a model of a
man.
_Manager._--What for, sir?
_Queershanks._--Why, sir, you will want occasionally to give
representations of statues. I am an excellent hand at it.
_Manager._--But, sir, my theatre is dedicated to Apollo.
_Queershanks._--The very thing, sir: I have stood as the model of the
Apollo Belvedere to the cleverest artists.
_Manager._--They must have been clever artists to make an Apollo
Belvedere with you for their model; but I cannot entertain your
engagement in that shape.
_Queershanks._--Not engage me in that shape! My shape is
unexceptionable. Only look at this muscle. Here's muscle for Hercules,
sir! Feel it, sir; will you be so good?
_Manager._--I see it.
_Queershanks._--No,--but feel it.
Public-domain text, read in full here on John Shaqi.
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