_Manager._--Quite unnecessary, sir. I don't think what you could do
would suit our audience.
_Queershanks._--Do you mean to say, sir, I should do you no good? Look
at this muscle, sir. Would not muscle like that make a tremendous hit?
(_Striking him._)
_Manager._--Sir, I'm quite satisfied.
_Queershanks._--Satisfied, sir! so you ought to be: I've got the nose of
Mars, sir.
_Manager._--My dear sir, what is it to the public if you've got Mars'
nose and Pa's chin.
_Queershanks._--I mean the classical Mars,--not my mother, you silly
fellow. Then I've got the eye of a Cyclop, and the whiskers of
Virginius. As yours is to be a classical theatre, will you give me a
trial?
_Manager._--What can you do?
_Queershanks._--I'm very good in the ancient statues, only I've made
them modern to suit the time. You know the "_African alarmed
by thunder_?"
_Manager._--Yes: a fine subject.
_Queershanks._--I've modernised it into the "_Black footman frightened
by an omnibus_:" this is it. (_Music; he does it._)
_Manager._--Very good! What else have you? Can you give me "_Ajax
defying the lightning_?"
_Queershanks._--I have modernised it into the "_Little boy defying the
beadle_." (_Music; he does it._)
_Manager._--Capital! Have you any more?
_Queershanks._--One more. You've seen the "_Dying Gladiator_?" I think
my "_Prize-fighter unable to come up to time_" beats it all to nothing.
(_Music; he does it._)
_Queershanks._--That's something like sculpture, isn't it?
_Manager._--Yes; but it won't do in my theatre.
_Queershanks._--Won't do, sir! what do you mean?
_Manager._--Why, I think the audience I wish to attract will like
something better than dumb show. Good morning!
_Queershanks._--I'm gone, sir; but remember you've lost me. I tell you,
sir, that my statues would have made your season; but I leave you, sir,
with contempt (_striking an attitude_). Do you know that, sir? It's the
celebrated statue of Napoleon turning with contempt from the shores of
Elba, which, as you know, he left because he wanted more _elbow_ room.
(_Exit Queershanks with an attitude._)
_Manager._--Well; each person that applies for an engagement seems to
think he is the man to make my fortune for me, and gets quite angry that
I won't let him have an opportunity of doing so; but I begin to see I
must think for myself.
(_Enter Servant._)
_Servant._--A lady and two children wish to see you, sir.
_Manager._--Show them in. (_Exit Servant._) Some new candidates, I
suppose: here they come. Ladies! they are the first that have done me
the honour to apply to me.
(_Enter Mrs. Fiddler, Miss F. and Master F._)
_Manager._--Your pleasure, madam?
_Mrs. F._--My name is Fiddler, sir; did you ever hear of me? I've got
a friend, a supernumerary at Astley's who has great influence in the
theatrical world; he promised to speak to you; has he done so?
_Manager._--Really, madam, I do not remember to have had an interview
with any such person.
Public-domain text, read in full here on John Shaqi.
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