On the morning of that day a note was put into Binks' hands; it was from Julia, and to the effect "that as her father's ruin left her no alternative but to share his lot, she could not, under such circumstances, think of involving him in their ruin, and begged he would think no further of the matter." "Poor girl!" said Binks, as he gazed on the note that told so briefly of so much calamity. What a real _bonâ-fide_ misfortune was, crushing and accumulating, and, as it were, breaking the man's heart within him, he had no idea of, except what the pathetic in a novel, or the chapter of accidents in a newspaper, furnished. These things were well enough to read, and to talk about, at a clear fire-side; but for a substantial display of energetic and effective sympathy, by succouring the distressed, it was what he did not think himself capable of. A second time, however, he mastered his indolence, and drove to Julia's house. What a situation was it in, and what a sight did it present! If there is in this world a scene more harrowing to human feeling than another, 'tis that presented by one's house on the eve of an auction,--a scene of "confusion worse confounded." The tossing about and displacing, by strange hands, of articles that from time and association have become part and parcel of ourselves, linked with a thousand sweet recollections, and the innocent display of which was a source of dearest household pleasure, now parcelled and ticketed out, and catalogued, for the curious and malevolent hands and eyes of strangers! Our dearest and holiest places of privacy intruded upon; our sweet little nooks and haunts, which are, as it were, set apart for the most favoured of our household gods, and where only the footsteps of tenderest love should be heard, now echoing and teeming with strange sounds and sights! What a sad volume, and in boards too, is a piece of carpeting piled in a corner of a room, revealing the unsightly seams of the naked floor; and "the decent clock," with its hands either broken or pointed to the wrong hour! The bleak and cheerless hearth, every brick of which was an object for the vacant and listless gaze of a pensive abstraction, the scene of sweet gambols and merry gossipings, all are sad mementos of the "base uses" to which the iron hand of necessity will convert objects dear to us from the sweetest household associations.