he should moralise to me on the hard lot which I experience,--that
he, with those looks and those accents, should fancy that I, amid
my beggarly account of empty boxes, am less happy than he,--ha! ha!
ha!--it is something to make one laugh. Ride your way, boy: I have your
forty ducats in my purse, and you my drug in your pocket. And the law!
Well! What can the executioner do worse to me in my penury and my age
than you have doomed for yourself in your youth and splendour. I carry
not my hangman in my saddle as I ride along. And the curses which the
rabble may pour upon my dying moments,--what are they to the howling
gurgle which, now rising from your heart, is deafening your ears?
Adieu, boy,--adieu!--and keep your philosophy for yourself. Ho! ho! ho!
But had any other passion or pursuit occupied Romeo, he would have been
equally unlucky as in his love. Ill fortune has marked him for her own.
From beginning to end he intends the best; but his interfering is ever
for the worst. It is evident that he has not taken any part in the
family feud which divides Verona, and his first attachment is to a lady
of the antagonist house.[7] To see that lady,--perhaps to mark that
he has had no share in the tumult of the morning,--he goes to a ball
given by Capulet, at which the suitor accepted by the family is to be
introduced to Juliet as her intended husband. Paris is in every way an
eligible match.
"Verona's summer hath not such a flower."
He who has slain him addresses his corse as that of the "noble County
Paris," with a kindly remembrance that he was kinsman of a friend slain
in Romeo's own cause. Nothing can be more fervent, more honourable,
or more delicate than his devoted and considerate wooing. His grief
at the loss of Juliet is expressed in few words; but its sincerity is
told by his midnight and secret visit to the tomb of her whom living he
had honoured, and on whom, when dead, he could not restrain himself
from lavishing funereal homage. Secure of the favour of her father, no
serious objection could be anticipated from herself. When questioned
by her mother, she readily promises obedience to parental wishes, and
goes to the ball determined to "look to like, if looking liking move."
Everything glides on in smooth current till the appearance of him
whose presence is deadly. Romeo himself is a most reluctant visitor.
He apprehends that the consequences of the night's revels will be the
vile forfeit of a despised life by an untimely death, but submits to
his destiny. He foresees that it is no wit to go, but consoles himself
with the reflection that he "means well in going to this mask." His
intentions, as usual, are good; and, as usual, their consequences are
ruinous.
He yields to his passion, and marries Juliet. For this hasty act he has
the excuse that the match may put an end to the discord between the
families. Friar Lawrence hopes that
"this alliance may so happy prove
To turn your households' rancour into love."
Public-domain text, read in full here on John Shaqi.
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