It certainly has that effect in the end of the play, but it is by the
suicidal deaths of the flower and hope of both families. Capulet and
Montague tender, in a gloomy peace the hands of friendship, over the
untimely grave of the poor sacrifices to their enmity. Had he met
her elsewhere than in her father's house, he might have succeeded in
a more prosperous love. But there his visit is looked upon by the
professed duellist Tybalt, hot from the encounter of the morning,
and enraged that he was baulked of a victim, as an intrusion and an
insult. The fiery partisan is curbed with much difficulty by his uncle;
and withdraws, his flesh trembling with wilful choler, determined to
wreak vengeance at the first opportunity on the intruder. It is not
long before the opportunity offers. Vainly does Romeo endeavour to
pacify the bullying swordsman,--vainly does he protest that he loves
the name of Capulet,--vainly does he decline the proffered duel. His
good intentions are again doomed to be frustrated. There stands by
his side as mad-blooded a spirit as Tybalt himself, and Mercutio,
all unconscious of the reasons why Romeo refuses to fight, takes up
the abandoned quarrel. The star of the unlucky man is ever in the
ascendant. His ill-omened interference slays his friend. Had he kept
quiet, the issue might have been different; but the power that had
the steerage of his course had destined that the uplifting of his
sword was to be the signal of death to his very friend. And when
the dying Mercutio says, "Why the devil came you between us? I was
hurt under your arm;" he can only offer the excuse, which is always
true, and always unavailing, "I thought all for the best." All his
visions of reconciliation between the houses are dissipated. How can
he now avoid fighting with Tybalt? His best friend lies dead, slain
in his own quarrel, through his own accursed intermeddling; and the
swaggering victor, still hot from the slaughter, comes back to triumph
over the dead. Who with the heart and spirit of a man could under such
circumstances refrain from exclaiming,
"Away to heaven, respective lenity!
And fire-eyed fury be my conduct now."
Public-domain text, read in full here on John Shaqi.
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