The kitchen fireplace was accompanied by a built-in stone oven with
its own flue, sometimes beside the kitchen fireplace, with independent
chimney, and sometimes opening into it. The sides of these fireplaces
sloped gently to a flue, so large and deep, that it carried off heat
as well as the acrid smoke of burning cedar. Where the slave quarters
were in the basement or cellar, there was a separate cooking fireplace
for their use, so that even many of the small houses had two chimneys.
In the larger houses of the more well-to-do, where slaves were owned
in greater numbers, they were lodged in a separate building, and the
owner's house usually had fireplaces to warm and dry the house during
the colder weeks of winter. These fireplaces were of large size, with
a raised hearth and no outer hearth. With the soft stone, the walls
of the chimneys were necessarily thick, which gives them a prominence
at first somewhat surprising for a sub-tropical climate. Chimneys
projecting from the roof seemingly became a necessity to satisfy
appearances, even when no real chimney existed. In many of the smallest
houses, little false chimneys placed at the point of the hip are used
as ornament to the roof.
Buttresses occur not infrequently and add to the character of the
houses as well as having the structural function of overcoming the
outward thrust of the rafters, that might otherwise be too great for
the stability of the walls. These buttresses are sometimes reduced to
salient pilasters on the thinner walls of the second story or pilasters
of decided projection the full height of the house.
The ground plan of the smaller house presents little of great interest;
in most cases a simple succession of intercommunicating rectangular
rooms on the living floor; the kitchen dining room at one end
distinguished by a large open cooking fireplace and built-in oven.
A greater number of rooms was obtained by adding projecting wings to
the original plan. This was usually done in a rather haphazard fashion,
but frequently with a distinct feeling of symmetry and order. The
following diagrams show a number of such results that recur time and
again with variations of gable and hip. The irregular additions were
of great variety, sometimes producing by chance masses that composed
in picturesque fashion. At other times the final outcome of successive
additions was less fortunate with its complication of roofs and
gutters. But the usual luxuriance of surrounding planting, the patina
of age, and the very naïveté of arrangement makes even these acceptable.
Public-domain text, read in full here on John Shaqi.
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