Austria -- Fiction; Man-woman relationships -- Fiction; Women -- Fiction
The sun had set. Bertha took Fritz by the hand, bade the others good
evening, and walked slowly homewards.
She lived on the first floor of a house in a new street. From her windows
she had a view of the hill, and opposite were only vacant sites.
Bertha handed Fritz over to the care of the maid, sat down by the window,
took up the paper and began to read again. She had kept the custom of
glancing through the art news first of all. This habit had been formed in
the days of her early childhood, when she and her brother, who was now an
actor, used to go to the top gallery of the Burg-Theater together. Her
interest in art naturally grew when she attended the conservatoire of
music; in those days she had been acquainted with the names of even the
minor actors, singers and pianists. Later on, when her frequent visits to
the theatres, the studies at the conservatoire and her own artistic
aspirations came to an end, there still lingered within her a kind of
sympathy, which was not free from the touch of homesickness, towards that
joyous world of art. But during the latter portion of her life in Vienna
all these things had retained scarcely any of their former significance
for her; just as little, indeed, as they had possessed since she had come
to reside in the little town, where occasional amateur concerts were the
best that was offered in the way of artistic enjoyment. One evening
during the first year of her married life, she had taken part in one of
these concerts at the "Red Apple" Hotel. She had played two marches by
Schubert as a duet with another young lady in the town. On that occasion
her agitation had been so great that she had vowed to herself never again
to appear in public, and was more than glad that she had given up her
hopes of an artistic career.
For such a career a very different temperament from hers was
necessary--for example, one like Emil Lindbach's. Yes, he was born to it!
She had recognized that by his demeanour the very moment when she had
first seen him step on to the dais at a school concert. He had smoothed
back his hair in an unaffected manner, gazed at the people below with
sardonic superiority, and had acknowledged the first applause which he
had ever received in the calm, indifferent manner of one long accustomed
to such things.
It was strange, but whenever she thought of Emil Lindbach she still saw
him in her mind's eye as youthful, even boyish, just as he had been in
the days when they had known and loved each other. Yet not so long
before, when she had spent the evening with her brother-in-law and his
wife in a restaurant, she had seen a photograph of him in an illustrated
paper, and he appeared to have changed greatly. He no longer wore his
hair long; his black moustache was curled downwards; his collar was
conspicuously tall, and his cravat twisted in accordance with the fashion
of the day. Her sister-in-law had given her opinion that he looked like a
Polish count.
Public-domain text, read in full here on John Shaqi.
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