Austria -- Fiction; Man-woman relationships -- Fiction; Women -- Fiction
And then, when she realised that in a few minutes she was to meet him who
was the object of her hopes, everything began to dance before her eyes.
She rose to her feet, and nearly reeled. She saw the young couple, who
had previously walked past her, leave the gardens by the road leading to
the Burgplatz. She went off in the same direction. Yonder, she saw the
dome of the Museum, towering and gleaming. She decided to walk slowly, so
as not to appear too excited or even breathless when she met him. Once
more she was seized with a thrill of fear--suppose he should not come?
But whatever happened, she would not leave Vienna this time without
seeing him.
Would it not, perhaps, even be better if he did not come, she wondered.
She was so bewildered at that moment ... and supposing she was to say
anything silly or awkward.... So much depended on the next few
minutes--perhaps her whole future....
There was the Museum before her. Up the steps, through the entrance, and
she was standing in the large, cool vestibule. Before her eyes was the
grand staircase and, yonder, where it divided to right and left, was the
colossal marble statue of Theseus slaying the Minotaur. Slowly she
ascended the stairs and, as she looked round about her, she grew calmer.
The magnificence of her surroundings captivated her. She looked up at the
galleries which, with their golden railings, ran round the interior of
the dome. She came to a stop. Before her was a door, above which appeared
in gilt letters: "Dutch School."
Her heart gave a sudden convulsive throb. Before her eyes lay the row of
picture galleries. Here and there she saw people standing before the
pictures. She entered the first hall, and gazed attentively at the first
picture hanging at the very entrance. She thought of Herr Rupius'
portfolio. And then she heard a voice say:
"Good morning, Bertha."
VI
It was his voice. She turned round. He was standing before her, young,
slim, elegant and rather pale. In his smile there was a suggestion of
mockery. He nodded to Bertha, took her hand at the same time, and held it
for a while in his own. It was Emil himself, and it was exactly as if the
last occasion on which they had spoken to one another had been only the
previous day.
"Good morning, Emil," she said.
They gazed at each other. His glance was expressive of much: pleasure,
amiability, and something in the nature of a scrutiny. She realised all
this with perfect clearness, whilst she gazed at him with eyes in which
nothing but pure happiness was shining.
"Well, then, how are you getting on, Bertha?" he asked.
"Quite well."
"It is really funny that I should ask you such a question after eight or
nine years. Things have probably gone very differently with you."
"Yes, indeed, that's true. You know, of course, that my husband died
three years ago."
She felt obliged to assume an expression of sorrow.
"Yes, I know that, and I know, too, that you have a boy. Let me see, who
could it have been that told me?"
Public-domain text, read in full here on John Shaqi.
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