Bertha's Christmas Vision: An Autumn SheafAlger, Horatio, Jr.
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Bertha's Christmas Vision: An Autumn Sheaf
Alger, Horatio, Jr.
Children's poetry, American; Children's stories, American
The young man was not to be baffled thus. He contrived to meet Florence
secretly, and, after a while, persuaded her to forsake her home, and
unite her fortunes with his,—with the less difficulty, since that home
offered but few attractions to one of her age. Her father’s indignation
was extreme. All advances towards reconciliation, on the part of the
newly-wedded pair, were received with a bitterness of scorn, which
effectually prevented their repetition. From that time, Martin Kendrick
settled down into the cold, apathetic, and solitary existence which has
been described above. Gradually the love of gain blotted out from his
memory the remembrance of his children, whom he never met. They had
removed from the city, though he knew it not; and the total amount of
interest displayed respecting them discouraged any idea they might have
entertained of informing him.
* * * * *
“It’s a cold night,” quoth Martin to himself, as he sat before the least
glimmering which could decently be called a fire in the apartment which
he occupied. He cast a wistful glance towards a pile of wood which lay
beside the grate. He lifted one, and poised it for a moment, glancing
meanwhile at the fire, as if he was debating in his mind whether he had
best place it on. He shook his head, however, as if it were too great
a piece of extravagance to be thought of, and softly laid it back. He
then moved his chair nearer to the fire as if satisfied that this would
produce the additional warmth without the drawback of expense.
It was, indeed, a cold night. The chill blasts swept with relentless
rigor through the streets, sending travellers home with quickened pace,
and causing the guardians of the public peace, as they stood at their
appointed stations, to wrap their overcoats more closely about them.
On many a hearth the fire blazed brightly, in composed defiance of the
insidious visitor who shuns the abodes of opulence, but forces his
unwelcome entry into the habitations of the poor.
A child, thinly clad, was roaming through the streets. Every gust, as it
swept along, chilled her through and through; and at length, unable to
go farther, she sank down at the portal of Martin Kendrick’s dwelling.
Extreme cold gave her courage; and, with trembling hand, she lifted the
huge knocker. It fell from her nerveless grasp, and the unwonted sound
penetrated into the room where Martin sat cowering over his feeble fire.
He was startled, terrified even, as that sound came to his ears, echoing
through the empty rooms in the old house.
“Who can it be?—robbers?” thought he, as he walked to the door. “I will
wait and see if it be repeated.”
It was repeated.
“Who’s there?” he exclaimed, in a somewhat tremulous voice, as he stood
with his hand upon the latch.
“It’s me,” said a low, shivering voice from without.
“And who’s ‘me’?”
“Floy,—little Floy,” was the answer.
“And what do you want here at this time of night?”
Public-domain text, read in full here on John Shaqi.
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