Bertha's Christmas Vision: An Autumn SheafAlger, Horatio, Jr.
General
Bertha's Christmas Vision: An Autumn Sheaf
Alger, Horatio, Jr.
Children's poetry, American; Children's stories, American
“Then where do you live?” asked the miser.
“I don’t live anywhere,” said the child, simply.
“But where do you stay?”
“Where I can. I generally walk about the streets in the daytime; and,
when I feel cold, I go into some store to warm myself. They don’t always
let me stay long. They call me ragged, and a beggar. I suppose,” she
continued, casting a glance at her thin dress, which in some places was
torn and dirty from long wearing,—“I suppose it’s all true; but I can’t
help it.”
“Where do you think of going to-night?” asked Martin, abruptly.
“I don’t know. I haven’t any place to go to; and it’s very cold. Won’t
you let me stay here?” asked the child, imploringly.
The miser started.
“How can you stay here? Here is only one room, and this I occupy.”
“Let me lie down on the floor, anywhere. It will be better than to go out
into the cold streets.”
The miser paused. Even he, callous as his heart had become, would
not willingly thrust out a young girl into the street, where in all
probability, unless succor came, she would perish from the severity of
the weather.
After a little consideration, he took the fragment of a candle which was
burning on the table, and, bidding Floy follow him, led the way into
a room near by, which was quite destitute of furniture, save a small
cot-bed in the corner. It had been left there when Martin Kendrick first
took possession of the house, and had remained undisturbed ever since. A
quilt, which, though tattered, was still thick and warm, was spread over
it.
“There,” said Martin, pointing it out to Floy, who followed him
closely,—“there is a bed. It hasn’t been slept on for a great many years;
but I suppose it will do as well as any other. You can sleep there, if
you want to.”
“Then I shall have a bed to sleep in!” said Floy, joyfully. “It is some
time since I slept on any thing softer than a board, or perhaps a rug.”
Martin was about to leave her alone, when he chanced to think the room
would be dark.
“You can undress in the dark, can’t you?” he inquired. “I haven’t got but
one light. I can’t afford to keep more.”
“Oh! I sha’n’t take off my clothes at all,” said the young girl. “I never
do.”
She got into bed, spread the quilt over her, and was asleep in less than
five minutes.
Martin Kendrick went back to his room. He did not immediately retire to
bed, but sat for a few minutes, pondering on the extraordinary chance—for
in his case it was certainly extraordinary—which had thrown a young girl,
as it were, under his protection, though but for a limited time. He was
somewhat bewildered, so unexpectedly had the event happened, and could
scarcely, even now, realize that it was so.
Public-domain text, read in full here on John Shaqi.
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