"It's half past ten, but I think I'll run on for a few moments longer.
If I don't finish, I can wind up to-morrow.--Mr. Randolph sat opposite
me. He looked at me a lot and gave attention to whatever I
said--whether said to him, or to my neighbors right and left, or to the
whole table. I didn't feel him especially clever, but easy and
pleasant--and friendly. Also a little shy--even after we had gone up to
the ball-room. I'm afraid that made me more talkative than ever; you
know how shyness in another man makes me all the more confident and
rackety. Be sure that voice of mine rang out! But not in song. There
was a piano up stairs, of course, and that led to a little dancing.
Different people took turns in playing. I danced--once--with each of
the three girls, and twice with my hostess; then I let Ryder and the
two young business-men do the rest. Randolph danced once with Mrs.
Phillips, and that ended it for him. My own dancing, as you know, is
nothing to brag of: I think the young ladies were quite satisfied with
the little I did. I'm sure _I_ was. You also know my views on round
dances. Why dancing should be done exclusively by couples arranged
strictly on the basis of contrasted sexes...! I think of the good old
days of the Renaissance in Italy, when women, if they wanted to dance,
just got up and danced--alone, or, if they didn't want to dance alone,
danced together. I like to see soldiers or sailors dance in pairs, as a
straightforward outlet for superfluous physical energy. Also, peasants
in a ring--about a Maypole or something. Also, I very much like square
dances and reels. There were enough that night for a quadrille, with
somebody for the piano and even somebody to 'call off,'--but whoever
sees a quadrille in these days? However, I mustn't burn any more gas on
this topic.
Public-domain text, read in full here on John Shaqi.
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