Neither did he welcome Mrs. Phillips' tendency to make him a hero. She
was as willing as the girl herself to believe that he had kept Amy's
chin above water--not for a moment merely, but through most of the
transit to shore. He sat there uneasily, pressing his thumbs between
his palms and his closed fingers and drawing up his feet crampingly
within their shoes; yet it somewhat eased his tension to find that
Medora Phillips was disposed to put Amy into a subordinate place: Amy
had been but a means to an end--her prime merit consisted in having
given him a chance to function. Any other girl would have done as well.
A slight relief, but a welcome.
Another mitigation: the house, the room, was full of people. The other
young women of the household were present; even the young business-man
who had understood the stove and the pump had looked in: no chance for
an intense, segregated appreciation. There had been another weekend at
the dunes, when this youth had nimbly ranged the forest and the beach
to find wood for the great open fireplace; and he had come, now, at the
end of the season, to make due acknowledgments for privileges enjoyed.
He, for his part, was willing enough to regard Amy as a heroine; but he
considered her as a heroine linked with the wrong man and operative in
the wrong place. He cared nothing in the world for Cope, and disparaged
him as before--when he did not ignore him altogether. If Amy had but
been rescued by him, George F. Pearson, instead of by this Bertram
Cope, and if she had been snatched from a disorderly set of breakers at
the foot of those disheveled sandhills instead of from the prim, prosy,
domestic edge of Churchton--well, wouldn't the affair have been better
set and better carried off? In such case it might have been picturesque
and heroic, instead of slightly silly.
Public-domain text, read in full here on John Shaqi.
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