Yes, the room was full. Even Joseph Foster had contrived to get himself
brought down by Peter: further practice for the day when he should make
a still more ambitious flight and dine at Randolph's new table. He sat
in a dark corner of the room and tried to get, as best he might, the
essential hang of the situation: the soft, insidious insistence of Amy;
the momentum and bravado of his sister-in-law; the veiled disparagement
of Cope in which George F. Pearson, seated on a sofa between Carolyn
and Hortense, indulged for their benefit, or for his own relief; above
all, he listened for tones and undertones from Cope himself. He had
never seen Cope before (if indeed it could be said that he really saw
him now), and he had never heard his speaking voice save at a remove of
two floors. Cope had taken his hand vigorously, as that of the only man
(among many women) from whom he had much to expect, and had given him a
dozen words in a loud tone which seemed to correspond with his
pressure. But Cope's voice, in his hearing, had lapsed from resonance
to non-resonance, and from that to tonelessness, and from that to
quietude.... Was the fellow in process of making a long diminuendo--a
possible matter of weeks or of months? As before, when confronted by
what had once seemed a paragon of dash and vigor, he scarcely knew
whether to be exasperated or appeased.
Through this variety of spoken words and unspoken thoughts Hortense sat
silent and watchful. Presently the talk lapsed: with the best will in
the world a small knot of people cannot go on elaborately embroidering
upon a trivial incident forever. There was a shifting of groups, a
change in subjects. Yet Hortense continued to glower and to meditate.
What had the incident really amounted to? What did the man himself
really amount to? She soon found herself at his side, behind the
library-table and its spreading lamp-shade. He was silently handling a
paper-cutter, with his eyes cast down.
"See me!" she said, in a tense, vibratory tone. "Speak to me!"--and she
glowered upon him. "I am no kitten, like Amy. I am no tame tabby, like
Carolyn, sending out written invitations. Throw a few poor words my
way."
Cope dropped the paper-cutter. Her address was like a dash of brine in
the face, and he welcomed it.
"Tell me; did you look absurd--then?" she dashed ahead.
A return to fresh water, after all! "Why," he rejoined reluctantly, "no
man, dressed in all his clothes, looks any the better for being soaked
through."
"And Amy,--she must have looked absolutely ridiculous! That wide,
flapping hat, and all! I had been telling her for weeks that it was out
of style."
"She threw it away," said Cope shortly. "And I suppose her hair looked
as well as a woman's ever does, when she's in the water."
"Well," she observed, "it's one thing to be ridiculous and another to
go on being ridiculous. I hope you don't mean to do that?"
Public-domain text, read in full here on John Shaqi.
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