And had there not been one further fleeting source of reassurance? Had
he not, on leaving, caught through the open door of the drawing room an
elevation of Medora Phillips' eyebrows which seemed to say fondly,
indulgently, yet a bit ironically, "Oh, you foolish girl!"? Yet if a
girl is foolish, and is going to persist in her folly, a lightly lifted
pair of eyebrows will not always stay her course. Her gathering
momentum is hardly to be checked by such slender means.
19
_COPE FINDS HIMSELF COMMITTED_
Amy Leffingwell, having written once, found it easier to write again.
And having strolled along the edge of the bluff with Cope on that
fateful Sunday, she found it natural to intercept him on other parts of
the campus (where their paths might easily cross), or to stroll with
him, after casual encounters carefully planned, through sheets of
fallen leaves under the wide avenues of elms just outside. Her third
note almost summoned him to a rendezvous. It annoyed him; but he might
have been more than annoyed had he known of her writing, rather simply,
to a rather simple mother in Fort Lodge, Iowa, about her hopes and her
expectations. Her mother had, of course, heard in detail of the rescue;
and afterward had heard in still greater detail, as the roseate
lime-light of idealization had come to focus more exactly on the scene.
She had had also an unaffected appreciation--or several--of Cope's
personal graces and accomplishments. She had heard, lastly, of Cope's
song to her daughter's obbligato: a duet _in vacuo_, since Carolyn had
been suppressed and the surrounding company had been banished to a
remote circumference. What wonder that she began to see her daughter
and Bertram Cope in an admirable isolation and to intimate that she
hoped, very soon, for definite news?
Well, not a few of us have met an Amy Leffingwell: some plump-faced,
pink-cheeked child, with a delicate little concave nose not at all
"strong," and a fine little chin none too vigorously moulded, and a
pair of timid candid blue eyes shadowed by a wisp or so of fluffy
hair--and have not always taken her for what she was. She "wouldn't
hurt a kitten," we say; and we assume that her "striking out a line for
herself" is the last thing she would try to do. Yet such an
unimpressive and disarming façade may mask large chambers of
stubbornness and tenacity.
Public-domain text, read in full here on John Shaqi.
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