Adventure stories; England -- Social life and customs -- 18th century -- Fiction; Mate selection -- Fiction; Smugglers -- Fiction
Meanwhile, the Lady Letitia had heard strange and distorted accounts of
the person and profession of her nephew’s visitor. Peter Gladden had
unpacked Mr. Wilson’s knapsack and red bundle, and had discovered
besides canvas, brushes, and paints, a tooth-brush, a few handkerchiefs,
a razor, a soiled shirt, two night-caps, a piece of flannel, and a
prayer-book. It was all over the house and into Aunt Letitia’s ears in
half an hour that this eccentric person had borrowed Mr. Jeffray’s
waistcoat and a pair of Peter Gladden’s shoes. The dowager’s pride
bristled, despite the saintly emotions of the morning. A common painter
fellow, a mere vulgar artist, whose name she did not even know, received
as a guest at Rodenham Priory! What could Richard be thinking of, by
associating with such a low and uncultured creature! Why, he would be
for entertaining next that awful author fellow, Mr. Johnson, a man who
spilled soup down his waistcoat, sneezed over the table, and was so bold
as to contradict a lady flatly.
Hence, the Lady Letitia’s reception of Mr. Richard Wilson in the parlor
that afternoon, was not calculated to put that gentleman at his ease.
The dowager was polite, portentously and oppressively polite, “to please
poor Richard,” as she would have phrased it. Her eyes searched Mr.
Wilson from wig to buckles, started at his wrinkled and complaining
waistcoat, and recognized Peter Gladden’s shoes. She deigned to listen
to the painter’s stumbling platitudes about the weather, and then
discovered suddenly that she was afflicted with deafness and a sick
headache, and declared that she would go and rest in her bedroom until
dinner.
When the Lady Letitia had sailed out of the room, Wilson stood and
stared pathetically at Jeffray.
“There, sir,” he exclaimed, with tragic emphasis, “you see, my poor face
always frightens them away, and I fall over my own tongue as well as
over my feet. Nature did not breed me for a courtier, Jeffray. Damn it,
I can’t flatter the fools in the gallant style. Beg pardon, Richard, I
was not referring to your august and noble relative.”
“Come and see the garden, Dick.”
“Do you keep peacocks there, sir?”
“Peacocks, Dick! Why, peacocks?”
“A mere whim, sir—a mere whim,” quoth the painter, with a queer twist
of the mouth.
Public-domain text, read in full here on John Shaqi.
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