Oliver Rane was in his bedchamber; a front apartment facing the road.
It will be as well to give a word of description to this first floor,
for it may prove needed as the tale goes on. It consisted of a large
landing-place, its boards white and bare, with a spacious window
looking to the side of the other house, as the dining-room beneath it
did. Wide, low and curtainless was this window; giving, in conjunction
with the bare floors and walls, a staring appearance to the place.
Mrs. Cumberland's opposite landing (could you have seen it) presented
a very different aspect, with its rich carpet, its statues, vases,
bookcases, and its pretty window-drapery. Dr. Rane could not afford
luxuries yet; or, indeed, superfluous furniture of any sort. The
stairs led almost close to this window, so that in coming down from
any of the bedrooms, or the upper floor, you had to face it.
To get into Dr. Rane's chamber--the best in the house--an ante-room
had to be passed through, and its door was opposite the large window.
Two chambers opened from the back of the landing: they faced the back
lane that ran along beyond the garden wall. Above, in the roof, were
two other rooms, both three-cornered. Phillis, the old serving-woman,
slept on that floor in one of them, Dr. Rane on this: the house had no
other inmates.
The ante-room had no furniture: unless some curious-looking articles
lying on the floor could be called so. They seemed to consist chiefly
of glass: jars covered in dust, a cylindrical glass-pump, and other
things belonging to chemistry, of which science the doctor was fond.
Certainly the architect had not made the most of this floor, or he
would never have given so much space to the landing. But if this
ante-room was not furnished, Dr. Rane's chamber was; and well
furnished too. The walls were white and gold, the dressing-table and
glass stood before the window and opposite the door. On the left was
the fireplace; the handsome white Arabian bedstead was picked out with
gold, and its hangings of green damask, matched the window drapery and
the soft colours of the carpet.
Public-domain text, read in full here on John Shaqi.
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