"Now look here," he cried, angrily. "If you sweep out a room again,
when I tell you it is not to be swept, I'll keep every place in the
house locked up. Some of the glass here is valuable, and I won't run
the risk of having it broken with your brooms and brushes."
Down went Phillis, taking the reproof in silence. As Dr. Rane crossed
the landing to follow her, his eyes fell on his mother's house through
the large window. The window opposite was being cleaned by one of the
servants: at the window of the dining-room underneath, his mother was
sitting. It reminded Dr. Rane that he had not been in to see her for
nearly two days; not since Edmund North----
Suddenly a sense of the delusive nature of the sophistry he had been
indulging, flashed into his brain, and the truth shone out distinct
and bare. Edmund North was dead; had been killed by the anonymous
letter. But for that fatal letter he had been alive and well now. A
sickening sensation, as of some great oppression, came over Oliver
Rane, and his nerveless fingers dropped the jar.
Out ran Phillis, lifting her hands at the crash of glittering
particles lying in the passage. "He has broken one himself now,"
thought she, referring to the recent reproof.
"Sweep the pieces carefully into a dust-pan, and throw them away,"
said her master as he passed on. "The jar slipped out of my fingers."
Phillis stared a minute, exhausting her surprise, and then turned away
for the dust-pan. The doctor went on to the front-door, instead of
into the dining-room, as Phillis expected.
"Sir," she called out, hastening after him, "your dinner's waiting.
Will you not take it now?"
But Dr. Rane passed on as though he had not heard her, and shut the
door loudly.
He turned into his mother's house. Not by the open window; not by
stepping over the slight fence; but he knocked at the front-door, and
was admitted as an ordinary visitor. Whether it was from having lived
apart for so many years of their lives, or that a certain cordiality
was wanting in the disposition of each, certain it was that Dr. Rane
and his mother observed more ceremony with each other than usually
obtains between mother and son.
Mrs. Cumberland sat at the open dining-room window just as he had seen
her from his staircase landing; a newspaper lay behind her on a small
table, as if just put down. Ellen Adair, as might be heard, was at the
piano in the drawing-room, playing, perhaps from unconscious
association, and low and softly as it was her delight to play, the
"Dead March in Saul." The dirge grated on the ears of Dr. Rane.
"What a melancholy performance!" he involuntarily exclaimed; and Mrs.
Cumberland looked up, there was so much irritation in his tone.
He shook hands with his mother, but did not kiss her, which he was not
accustomed to do, and stood back against the broad window, his face
turned to it.
"You are a stranger, Oliver," she said. "What has kept you away?"
Public-domain text, read in full here on John Shaqi.
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