American fiction -- 20th century; Short stories, American
a crime or capable of allowing him, an innocent man, to suffer the
penalty for it.”
Tate’s big eyes were bent dully upon the governor. He averted his gaze
slowly and reached for a glass of water, but his hand shook so that
he could not lift it, and he glared at it as though it were a hateful
thing.
“I wasn’t there! Why----” he began with an effort at bravado; but the
words choked him and he sat swinging his head from side to side and
breathing heavily.
The governor went on in the same low, even tone he had used from the
beginning:
“When Avery came to himself and you still were silent, he doubtless
saw that, having arranged for you to meet Reynolds at the
bungalow--Reynolds, who had been avoiding you--he had put himself in
the position of an accessory before the fact and that even if he told
the truth about your being there he would only be drawing you into the
net without wholly freeing himself. At best it was an ugly business,
and being an intelligent man he knew it. I gather that you are a
secretive man by nature; the people who know you well in your own town
say that of you. No one knew that you had gone there and the burden
of the whole thing was upon Avery. And your tracks were so completely
hidden: you had been at such pains to sneak down there to take
advantage of the chance Avery made for you to see Reynolds and have it
out with him about the creamery business, that suspicion never attached
to you. You knew Avery as a good fellow, a little weak, perhaps, as you
learned from that forgery of your name ten years earlier; and it would
have been his word against yours. I’ll say to you, Mr. Tate, that I’ve
lain awake at nights thinking about this case, and I know of nothing
more pitiful, my imagination can conjure nothing more horrible, than
the silent suffering of George Avery as he waited for you to go to his
rescue, knowing that you alone could save him.”
“I didn’t do it, I didn’t do it!” Tate reiterated in a hoarse whisper
that died away with a queer guttural sound in his throat.
“And now about your alibi, Mr. Tate; the alibi that you were never
even called on to establish,” the governor reached for the tablet
and held it before the man’s eyes, which focused upon it slowly,
uncomprehendingly. “Now,” said the governor, “you can hardly deny that
you drew that sketch, for I saw you do it with my own eyes. I’m going
to ask you, Mr. Tate, whether this drawing isn’t also your work?”
He drew out the sheet of paper he had shown the others earlier in the
evening and placed it beside the tablet. Tate jumped to his feet,
staring wild-eyed, and a groan escaped him. The governor caught his arm
and pushed him back into his chair.
Public-domain text, read in full here on John Shaqi.
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