American fiction -- 20th century; Short stories, American
“You will see that that is Avery’s letter-head that was used in the
quarry office. As you talked there with Reynolds that night you played
with a pencil as you did here a little while ago and without realizing
it you were creating evidence against yourself that was all I needed
to convince me absolutely of your guilt. I have three other sheets of
Avery’s paper bearing the same figure that you drew that night at the
quarry office; and I have others collected in your own office within
a week! As you may be aware, the power of habit is very strong. For
years, no doubt, your subconsciousness has carried that device, and in
moments of deep abstraction with wholly unrelated things your hand has
traced it. Even the irregularities in the outline are identical, and
the size and shading are precisely the same. I ask you again, Mr. Tate,
shall I sign the pardon I brought here in my pocket and free George
Avery?”
The sweat dripped from Tate’s forehead and trickled down his cheeks in
little streams that shone in the light. His collar had wilted at the
fold, and he ran his finger round his neck to loosen it. Once, twice,
he lifted his head defiantly, but, meeting the governor’s eyes fixed
upon him relentlessly, his gaze wavered. He thrust his hand under his
coat and drew out his pencil and then, finding it in his fingers, flung
it away, and his shoulders drooped lower.
III
Burgess stood by the window with his back to them. The governor spoke
to him, and he nodded and left the room. In a moment he returned with
two men and closed the door quickly.
“Hello, warden; sit down a moment, will you?”
The governor turned to a tall, slender man whose intense pallor was
heightened by the brightness of his oddly staring blue eyes. He
advanced slowly. His manner was that of a blind man moving cautiously
in an unfamiliar room. The governor smiled reassuringly into his white,
impassive face.
“I’m very glad to see you, Mr. Avery,” he said. He rose and took Avery
by the hand.
At the name Tate’s head went up with a jerk. His chair creaked
discordantly as he turned, looked up into the masklike face behind him,
and then the breath went out of him with a sharp, whistling sound as
when a man dies, and he lunged forward with his arms flung out upon the
table.
The governor’s grip tightened upon Avery’s hand; there was something of
awe in his tone when he spoke.
“You needn’t be afraid, Avery,” he said. “My way of doing this is a
little hard, I know, but it seemed the only way. I want you to tell
me,” he went on slowly, “whether Tate was at the bungalow the night
Reynolds was killed. He was there, wasn’t he?”
Avery wavered, steadied himself with an effort, and slowly shook his
head. The governor repeated his question in a tone so low that Burgess
and the warden, waiting at the window, barely heard. A third time he
asked the question. Avery’s mouth opened, but he only wet his lips
with a quick, nervous movement of the tongue, and his eyes met the
governor’s unseeingly.
Public-domain text, read in full here on John Shaqi.
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