American fiction -- 20th century; Short stories, American
Burgess experienced a distinct shock of repulsion as the man shuffled
across the room to shake hands. A stubble of dark beard covered his
face, his black hair was crumpled, and a long bang of it lying across
his forehead seemed to point to his small, shifty blue eyes. His manner
was anxious; he appeared decidedly ill at ease. Webster G. Burgess was
fastidious and this fellow’s gray suit was soiled and crumpled, and he
kept fingering his collar and turning it up round a very dirty neck.
“Thank you, sir--thank you!” he repeated nervously.
A door slammed upstairs and the prospective bridegroom started
perceptibly and glanced round. But Burgess’s philosophy rallied to his
support. This was the fate of things, one of life’s grim ironies--that
a girl like Nellie Murdock, born and reared in the underworld, should
be linking herself to an outlaw. After all, it was not his affair.
Pretty girls in his own world persisted in preposterous marriages. And
Bob grinned cheerfully. Very likely with a shave and a bath and a new
suit of clothes he would be quite presentable. The banker had begun to
speak of the route to be taken to New Orleans when a variety of things
happened so quickly that Burgess’s wits were put to high tension to
keep pace with them.
The door by the piano opened softly. A voice recognizable as that of
Murdock spoke sharply in a low tone:
“Nellie, hit up the piano! Stranger, walk to the window--slow--and yank
the shade! Bob, cut upstairs!”
These orders, given in the tone of one used to command, were quickly
obeyed. It was in the banker’s mind the moment he drew down the shade
that by some singular transition he, Webster G. Burgess, had committed
himself to the fortunes of this dubious household. If he walked out of
the front door it would likely be into the arms of a policeman; and
the fact of a man of his prominence being intercepted in flight from a
house about to be raided would not look well in the newspapers. Nellie,
at the piano, was playing Schubert’s Serenade--and playing it, he
thought, very well. The situation was not without its humor; and here,
at last, was his chance to see an adventure through. He heard Bob take
the stairs in three catlike jumps. Nellie, at the piano, said over her
shoulder, with Schubert’s melody in her eyes:
“This isn’t funny; but they wouldn’t dare touch you! You’d better camp
right here.”
“Not if I know myself!” said Burgess with decision as he buttoned his
ulster.
She seemed to accept his decision as a matter of course and,
still playing, indicated the door, still ajar, through which the
disconcerting orders had been spoken. Burgess stepped into a room where
a table was partly set for supper.
“This ain’t no place for you, stranger!” said Murdock harshly. “How you
goin’ to get away?”
“I’ll follow Bob. If he makes it I can.”
“Humph! This party’s too big now. You ought to have kept out o’ this.”
There was a knock at the front door and Murdock pointed an accusing
finger at Burgess.
Public-domain text, read in full here on John Shaqi.
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