Short stories, Russian -- Translations into English
The lady chosen by Tomsky was the Princess Pauline herself. She
succeeded in effecting a reconciliation with him during the numerous
turns of the dance, after which he conducted her to her chair. On
returning to his place, Tomsky thought no more either of Hermann or
Lizaveta. She longed to renew the interrupted conversation, but the
mazurka came to an end, and shortly afterwards the old Countess took
her departure.
Tomsky's words were nothing more than the customary small talk of the
dance, but they sank deep into the soul of the young dreamer. The
portrait, sketched by Tomsky, coincided with the picture she had
formed within her own mind, and thanks to the latest romances, the
ordinary countenance of her admirer became invested with attributes
capable of alarming her and fascinating her imagination at the same
time. She was now sitting with her bare arms crossed and with her
head, still adorned with flowers, sunk upon her uncovered bosom.
Suddenly the door opened and Hermann entered. She shuddered.
"Where were you?" she asked in a terrified whisper.
"In the old Countess's bedroom," replied Hermann: "I have just left
her. The Countess is dead."
"My God! What do you say?"
"And I am afraid," added Hermann, "that I am the cause of her death."
Lizaveta looked at him, and Tomsky's words found an echo in her soul:
"This man has at least three crimes upon his conscience!" Hermann sat
down by the window near her, and related all that had happened.
Lizaveta listened to him in terror. So all those passionate letters,
those ardent desires, this bold obstinate pursuit--all this was not
love! Money--that was what his soul yearned for! She could not satisfy
his desire and make him happy! The poor girl had been nothing but
the blind tool of a robber, of the murderer of her aged
benefactress!... She wept bitter tears of agonised repentance. Hermann
gazed at her in silence: his heart, too, was a prey to violent
emotion, but neither the tears of the poor girl, nor the wonderful
charm of her beauty, enhanced by her grief, could produce any
impression upon his hardened soul. He felt no pricking of conscience
at the thought of the dead old woman. One thing only grieved him: the
irreparable loss of the secret from which he had expected to obtain
great wealth.
"You are a monster!" said Lizaveta at last.
"I did not wish for her death," replied Hermann: "my pistol was not
loaded."
Both remained silent.
The day began to dawn. Lizaveta extinguished her candle: a pale light
illumined her room. She wiped her tear-stained eyes and raised them
towards Hermann: he was sitting near the window, with his arms crossed
and with a fierce frown upon his forehead. In this attitude he bore a
striking resemblance to the portrait of Napoleon. This resemblance
struck Lizaveta even.
Public-domain text, read in full here on John Shaqi.
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