Beth's wonder-winter : $b A storyTaggart, Marion Ames
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Beth's wonder-winter : $b A story
Taggart, Marion Ames
Christmas stories; Girls -- Juvenile fiction; New York (N.Y.) -- Juvenile fiction; Ponies -- Juvenile fiction
“Dancing class, where you meet all the young ladies you know, Miss
Beth, has to be dressed for much the same,” said Frieda. “This is only
what a quite young young lady like you must wear; just fine white
things.”
“Then do let me hurry to see Natalie and Alys,” cried Beth.
Frieda wrapped Beth in a long, loose cloak and she found Natalie and
Alys’s splendors similarly eclipsed when she came out and met them in
the hall. At the dancing school she forgot to notice what they wore,
but she saw that Alys had never before been so pretty, and Natalie was
as handsome as a tanager.
The room was full of girls, all so exquisite in tints of hair, eyes,
cheeks and clothes that Beth forgot her own white daintiness.
“It is only more fairy-land,” she thought. “Aunt Alida was right; she
had to make me a fairy, too, or they’d have driven me back to mortals.”
Natalie and Alys introduced Beth to girl after girl, brought boys to
her and introduced them also, and, worst of all, took Beth to ladies
who were sitting about the room and introduced her to them as their
cousin who was spending the winter with them.
Beth grew so confused that she hardly knew how to carry herself.
“I know you hate it, Bethie, but they are mama’s friends and she would
like it; besides, if there are any children’s parties this winter--and
there will be--you must be asked,” whispered Natalie. “Now you go into
the practice class for beginners, and when the time comes to dance Alys
and I will dance with you, to start you. Then you must accept every
invitation you get to dance; it’s polite and practice, too.”
Bewildered Beth found herself in a line with much smaller children
taking steps forward, back, to the right, to the left, following the
tireless motions of a small man who set the children example in front
of the line, gesticulating to mark time, and moving so lightly that
Beth wondered if he had the usual sort of feet.
The music to which the class danced was rendered by a beautiful
piano, violin and flute trio. After she grew accustomed to being where
she was, Beth began to hear it better, and, hearing it, she lost
consciousness of herself, and danced. The girls’ teaching had been
good; followed now by the winging effect of the entrancing music it
took Beth out of the awkwardness of beginning. When the line stopped
practice and the teacher gave the signal to dance Natalie and Alys flew
to Beth.
“We’re proud of you, Beth!” cried Natalie. “You’re going to make a
dancer! You quiet little mouse, who’d have thought you’d have done so
well!”
“I don’t know. Hurry up, Natalie, let me dance!” cried Beth with
sparkling eyes.
She danced and danced, not always well, because there were ever so
many dances that she did not know, but with an enjoyment that made her
partners forgive her mistakes. She never actually danced badly, because
her ear for rhythm carried her through.
Public-domain text, read in full here on John Shaqi.
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