Betsy Baker! or, Too Attentive by Half; A Farce, in One ActMorton, John Maddison
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Betsy Baker! or, Too Attentive by Half; A Farce, in One Act
Morton, John Maddison
English drama (Comedy); Farces; Women -- Drama
BET. No, sir, Big Charlotte--a red-haired young woman, on a large
scale. Perhaps you’ve noticed her, sir?
CRUM. Pshaw! Go on.
BET. Well, sir, she read the letter out loud, at the top of her
voice, sir--and she’s a very powerful organ. Perhaps you’ve heard her
organ, sir.
CRUM. Confusion! Then the contents of the letter--that Mouser had
asked you to meet him here----
BET. Was known all over the laundry in a twinkling. Fancy
thirty-seven female voices, including Big Charlotte’s, crying out,
“Lawks!” at the same moment? Of course, I was obliged to clear myself,
which I did, by telling them the whole business! How it was to oblige
you, that I was trying to make Mr. Mouser fall in love with me; because
as how you promised to give the little greengrocer’s shop at the corner
of the street to the young woman that succeeded in captivating him.
CRUM. Well?
BET. Well, sir--the words were no sooner out of my mouth, than all the
washing-tubs were deserted in a moment, and the whole of the
thirty-seven girls--Big Charlotte included--seemed determined to set
about captivating Mr. Mouser at once--and, as ill-luck would have it, he
passed by the window at that moment, sir--and they all instantly rushed
out after him, in a body.
CRUM. Zounds! There’s a pretty piece of business! What’ll become of
him? Why the devil did I interfere? (_snatches up his hat and runs
off_)
BET. But, sir! Mr. Crummy! Stop! Where’s my shop? I insist on my
shop!
(_Great noise of WOMEN’S voices suddenly heard--“Stop, sir!”
“Mr. Mouser!” “Don’t run!” “It’s only me!” &c.; MOUSER rushes in at
D. L. F., followed by WOMEN; after considerable trouble he turns them
out again at door and slams it--noise of WOMEN’S voices repeated_)
MOUS. (_shouting at the door_) Go along! Females begone!
(_WOMEN heard again at R. D., MOUSER runs and closes it_)
MOUS. (_advancing_) What the deuce is the matter with the women? What
are the police about? I pay the police rate--cheerfully and willingly
pay it--because I can’t help it. I provide a large body of men, not
only with the necessaries of life, but with the luxury of an oilskin
cape to protect them from the inclemency of the weather--and yet in
open day--walking slowly along the public streets--I find myself
suddenly overwhelmed by an avalanche of females! (_in a serious tone_)
It’s a retribution. Mouser, listen to me--you have a wife, Mouser--and
yet, you first run after another woman: and now you have fifty women
running after you, Mouser. It won’t do, Mouser! (_sees BETSY_) Ah,
Betsy!--so you’re come, eh?
BET. No, sir, I ain’t.
MOUS. Come, I like that.
BET. Well, if I have you sent for me.
MOUS. The fact is, I requested your presence here--to--to--reason with
you--on the--impropriety of your conduct.
BET. Sir. (_aside_) If I was only sure of the shop, I’d bust out
a laughing--but, as I ain’t, I dare not. (_aloud_) I see how it is
you want to break my heart.
Public-domain text, read in full here on John Shaqi.
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