Better days; or, A Millionaire of To-morrowFitch, Thomas
Philosophy
Better days; or, A Millionaire of To-morrow
Fitch, Thomas
Utopias -- Fiction; West (U.S.) -- Fiction
“Why, Julia,” soliloquized Morning, “you must have been browsing on
rattle-weed! What is the matter with you?”—and he tugged vainly at her
bridle.
Whizz! whizz! went the arrows. With one shaft quivering in her flank,
the mule fairly sprang into the air, while the other transfixed the left
arm of David Morning, and pinned it to his side.
And then his question was answered, and he knew what was the matter with
Julia.
The frenzied animal leaped the Rillito at a bound, and swept across the
valley to the corral adjoining the Gonzales ranch house. Once within the
inclosure, she stopped and uttered her most melodious notes of delight.
With a crescendo of welcome a dozen of her kindred greeted Julia, and
the swarthy major-domo of the ranch, accompanied by half a dozen
vaqueros with lights, rushed out, and Morning, weak from pain and loss
of blood, was half-led and half-carried into the ranch house.
The Señor Don Pedro Gonzales a year before had journeyed into Paradise,
from the effects of an attack of mountain fever, aggravated by too
copious use of mescal, and left his ranch houses and corral, his two
hundred mules and horses, his two thousand cattle, his brand of G on a
triangle, and his rancho Santa Ysbel to his señora, the Donna Maria,
who, with her family, continued to occupy the place.
Messengers dispatched to Tucson returned with physicians, who cut out
the arrow and found that the wound was severe, and its result might be
fatal. They agreed that for Morning to endeavor to travel with such a
wound would be simply suicide, and that he must not attempt to leave the
shelter and care which the hospitable Gonzales family were glad to
accord him.
CHAPTER XI.
“It is only mirage.”
A long, low, adobe building, roofed with tiles of pottery clay, situated
near the banks of the river Santa Cruz. Long rows of cottonwood-trees
spread their branches nearly over the little stream, and the graceful
masses of pepper, combed to a fringe, drop their courtesied obeisance to
every passing breeze, and throw their uneasy shadows well over the
walls, neatly stuccoed with cobblestones.
The air curdles with the heat rising from the arid plain, and hangs, a
shimmering sheet of translucent vapor, between the eye and the
ever-lengthening distance, which softly melts into the Santa Rita
Mountains.
Public-domain text, read in full here on John Shaqi.
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