Gambling; Great Britain -- Social life and customs
It is, however, impossible to discuss the practical ethics of modern
gambling without regarding that factor of pure gambling, which we
have analysed, in its actual place as part of a vicious amalgam in a
dissipated life.
We have chiefly considered the derationalising influence of the anarchic
element of chance which is the nucleus of the process. But, regarded as
a mode of transfer of property, gambling involves a union of several
anti-social desires. The desire to take unearned gains is, as we have
seen, itself immoral, for such gains of necessity imply an injury to
some other known or unknown persons, nor in the case of gambling is
the damage thus done to the character of a winner mitigated by the
knowledge that those from whom he wins have sought similar unearned gains
at his expense. In many natures the possibility of such facile gain
quickens the latent instinct of avarice, one of the most insidiously
disintegrating influences in human society, inviting as it does complete
self-absorption and an entire loss of sympathy with the material
interests of one’s fellows. The brooding infatuation of the habitual
gambler chills human sympathy more certainly than any other practice,
inducing not indeed enmity or active animosity so much as a callousness
which views the misfortunes of others with placid indifference. It is
just this absorption upon selfish ends in reference to incidents fraught
with emotional strain that is prone at once to break down the whole
fabric of the moral character and to dethrone the reason. For as man is
only moral and rational as a being who stands in orderly relation to
other similar beings in human society, so a practice based on a virtual
denial of this social order is the arch-enemy of human personality:
instead of a man we have a self-absorbed emotionalist. “In the making
of a bet—a man resolves to repress the use of his reason, his will, his
conscience, his affections; only one part of his nature is allowed free
play, and that is his emotions.”[1]
Public-domain text, read in full here on John Shaqi.
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