When the battery had passed out and the doors were closed there was a
short pause. The next and last event was the music ride by the
officers and girls, the prettiest sight in the world. Middle-aged
matrons and gray-mustached officers smiled in anticipation of seeing
their rosebud daughters, on beautiful horses, admired and applauded of
all.
In the C. O.'s box, Mrs. Fortescue, opening her fan, leaned over and
smiled into the Colonel's face.
"She'll do it," whispered the Colonel confidently, meaning that Anita
would do her act more gracefully and brilliantly than any girl who ever
rode a horse.
The band once more struck up, the great doors drew wide apart, this
time with a clang, and the procession of youth and beauty and valor
dashed upon the tanbark. The officers were resplendent, while the
girls, in their daring imitation of the uniform and with cavalry caps
upon their pretty heads, looked like young Amazons riding to war.
Broussard and Anita, who led the cavalcade, were the best riders where
all were good. Pretty Maid and Gamechick seemed on the best of terms
and their stride fitted perfectly.
The procession circled around the hall at a canter, and as Anita and
Broussard, leading the procession, reached a point in front of the C.
O.'s box, they both saluted, Anita raising her little gauntleted hand
to her cavalry cap. Colonel Fortescue stood up and returned the salute
as the riders passed, two by two. Next began the scene of beautiful
horsemanship, pure and simple, winding up with the Virginia reel, done
by the riders on horseback, as the band played the old reel, "Billy in
the Low Grounds."
Then came the last feature of all; the ride formed again, and, suddenly
quickening their pace to a full gallop, started upon the circuit of the
hall. They swept around the circle at a sharp gallop, the clanking
spurs and rattling sabres keeping time to the roar of the music. Anita
was riding like a bird on the wing and Pretty Maid, who had behaved
with her usual grace and decorum, opening and shutting her stride like
a machine. Just as she got in front of the C. O.'s box the mare
suddenly lost her head. She hesitated, bringing her four feet together
in a way that would have thrown over her head a rider less expert than
Anita. Behind her the line of riders was thrown into slight confusion
with the unexpected halt.
The movements of animals are so much quicker than those of men that the
eye can scarcely follow them. One instant Anita was in her saddle; the
next Pretty Maid stopped, crouched, gave a wild spring, fell prone on
her knees, and rolled over, struggling violently. Anita, half thrown
and half slipped from her saddle, was on the tanbark, directly in front
of Gamechick.
She straightened out her slim figure full length, and closed her eyes.
Broussard's horse was then not six feet away from her and coming on as
if the trumpeters were sounding the charge.
Public-domain text, read in full here on John Shaqi.
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