The morning of the great dinner at the Fortescues', Neroda, the Italian band-master, came to give Anita her violin lesson. Mrs. Fortescue, listening and delighted with Anita's progress, came in to the drawing-room as Neroda was shouting bravos in rapture over the way his best pupil caught the soul of music in her delicate hands and made it prisoner. "Good-morning, Mr. Neroda," said Mrs. Fortescue in her pretty and affable manner--Mrs. Fortescue would have been affable with an ogre--"I must ask you to come this evening and play my daughter's accompaniments. We are having a large dinner and I should like Anita to play for us after dinner." "Certainly, madam," answered Neroda, who, like everybody else, was anxious to do Mrs. Fortescue's smiling bidding, "I am proud of the signorina's playing." "Mr. Broussard is coming to the dinner," continued Mrs. Fortescue after a moment. "He sings so charmingly. It would be delightful to have him sing and Anita to play a violin obligato." "Admirable! Admirable!" cried Neroda, "Mr. Broussard has a superb voice--much too good for an amateur." Mrs. Fortescue laughed; Broussard's beautiful voice was one of the Colonel's grave objections to him. Anita remained silent, but Mrs. Fortescue noticed the happy smile on her lips, as she picked a little air upon the strings; she longed to show off her accomplishments before Broussard and to accompany his singing seemed a little incursion into Paradise. It was arranged that Neroda should come at half-past nine and have the violin tuned. Anita, dropping the violin, found a book of songs, some of which she had heard Broussard sing. "Come," she cried eagerly, "I must play these obligatos over. You will sing the songs." Neroda sat down once more to the piano and played and sang in a queer, cracked voice, the songs, while Anita, her soul in her eyes and all her heart and strength in her bow arm, played the violin part. She did it beautifully, and Mrs. Fortescue kissed the girl's glowing cheek when the music was through. Kettle, who was himself a fiddler, at that moment poked his head in at the door. He had a fellow artist's jealousy of Neroda but he was forced by his artistic conscience to say: "Lord, Miss 'Nita, you cert'ny kin make a fiddle talk!" It was noon before the lesson was over and Neroda left. Anita, exultant in the thought of playing to Broussard's singing, could not remain indoors, but putting on her long, dark fur coat and her pretty fur cap, which accentuated her delicate beauty, went out for a walk alone.