With deep intent Broussard selected the most passionate of all his
passionate songs. It asked the old, old question, "I love thee; dost
thou love me?" Neroda struck into the accompaniment and Broussard's
voice, a tenor, with the strength and feeling of a baritone, took up
the song, while the music of Anita's violin delicately threaded the
harmonies, ever following and responding to Broussard's voice. All of
Anita's coldness vanished at the first strain of the music; Broussard's
voice penetrated her heart and inspired her hand. When the song was
over and she laid her violin down on the piano she was once more the
palpitating, shy enthusiast, the half-child, half-woman who had
captivated Broussard at the first glance.
During the interludes between the songs it was plain they forgot all
except each other. They turned over songs and read the titles to each
other, Broussard sometimes singing, under his breath, the words. Then,
when he sang them in full voice he infused all the verve, the passion,
the feeling he knew so well how to command, and played upon Anita's
heart-strings with the hand of a master, as Anita played upon the
strings of her violin. The men and women, listening and charmed,
smiled at each other; evidently a love affair was on foot such as
everybody had expected since the night of the music ride. Colonel
Fortescue alone was grave, leaning back in his chair with sombre eyes
fixed on Broussard. He saw in Broussard a wild young officer who
needed a stern warning about a soldier's handsome wife; and, while
watching him, Colonel Fortescue was phrasing the very words in which he
meant to call Broussard to account the next day, for the Colonel was
not a man to postpone a disagreeable duty. It would be a very
disagreeable duty; the poignant memory of Anita lying on the tanbark
and Broussard having the skill to save her, still haunted Colonel
Fortescue's thoughts and came to him in troubled dreams. And
Anita--undoubtedly Broussard had impressed her imagination, and she was
a creature of such strong fibre that she must love and suffer more than
most human beings the Colonel knew, well enough.
Public-domain text, read in full here on John Shaqi.
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