At half past eight, Sally Carteret, in the big family carriage, came
for Betty, and the two girls drove over to Red Plains. The ball was
a replica of the dance at Marrowbone. It is not often in life that
one can live over so much as a single hour of happiness, but Betty
lived over a whole evening of joy. There was Fortescue, who claimed
her hand ruthlessly for many dances, and his brother officers, who
were scarcely less fascinating to Betty, and the University students,
who assumed great intimacy upon short acquaintance, and old friends,
with whom she had danced at dancing school. And there was the same
merriment and the same music--Isaac Minkins and Uncle Cesar with their
fiddles, and the colored youth with his "lap organ"--and the same kind
of supper, the same kind of eggnog, and the same songs, and the same
hearty Christmas spirit. The dance, though, did not last so late, as
the hunt would begin early in the morning, and Betty was back at Holly
Lodge and in bed by two o'clock. She had warned Aunt Tulip not to
disturb herself so early to make a fire for Betty to dress by, but to
send Kettle. At half past five, Kettle knocked at Betty's door, and in
two minutes a gorgeous fire called Betty from her bed. At six o'clock
in the wintry morning, just as Betty was pulling on her gauntlets, she
heard the tramp of horses' hoofs under her window. Uncle Cesar had
the side-saddle ready, and when Betty went downstairs, Fortescue was
tightening the girths on Birdseye. As the Colonel was not there to
watch, Fortescue, in the darkness, took Betty's slender waist in his
hands and swung her, by the modern fashion, into the saddle. Although
it was still cold, the icy grip had moderated a little, and the ground
was clear. Betty and Fortescue galloped along in the ghostly darkness,
saying little, but with a delightful feeling of nearness and aloneness.
Public-domain text, read in full here on John Shaqi.
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