As she stood there now on the model stand, gazing dreamily from his busy
hands to his lean, intent features, it occurred to her that this day
had not been a sample of their usual humdrum relations. From the
very beginning of their business relations he had remained merely her
employer, self-centered, darkly absorbed in his work, or, when not
working, bored and often yawning. She had never come to know him any
better than when she first laid eyes on him.
Always she had been a little interested in him, a little afraid,
sometimes venturing an innocent audacity, out of sheer curiosity
concerning the effect on him. But never had she succeeded in stirring
him to any expression of personal feeling in regard to herself, one way
or the other.
Probably he had no personal feeling concerning her. It seemed odd to
her; model and master thrown alone together, day after day, usually
became friends in some degree. But there had been nothing at all of
camaraderie in their relationship, only a colorless, professional
sans-gene, the informality of intimacy without the kindly essence of
personal interest on his part.
He paid her wages promptly; said good morning when she came, and
good night when she went; answered her questions when she asked them
seriously; relapsed into indifference or into a lazy and not too civil
badinage when she provoked him to it; and that was all.
He never complimented her, never praised her; yet he must have thought
her a good model, or he would not have continued to send for her.
“Do you think me pretty?” she had asked one day, saucily invading one of
his yawning silences.
“I think you’re pretty good,” he replied, “as a model. You’d be quite
perfect if you were also deaf and dumb.”
That had been nearly a year ago. She thought of it now, a slight heat
in her cheeks as she remembered the snub, and her almost childish
amazement, and the hurt and offended silence which lasted all that
morning, but which, if he noticed at all, was doubtless entirely
gratifying to him.
“May I rest?”
“If it’s necessary.”
She sprang lightly to the floor walked around behind him, and stood
looking at his work.
“Do you want to know my opinion?” she asked.
“Yes,” he said, with unexpected urbanity; “if you are clever enough to
have an opinion. What is it?”
She said, looking at the wax figure of herself and speaking with
deliberation:
“In the last hour you have made out of a rather commonplace study an
entirely spontaneous and charming creation.”
“What!” he exclaimed, his face reddening with pleasure at her opinion,
and with surprise at her mode of expressing it.
“It’s quite true. That dancing figure is wholly charming. It is no
study; it is pure creation.”
He knew it; was a little thrilled that she, representing to him an
average and mediocre public, should recognize it so intelligently.
“As though,” she continued, “you had laid aside childish things.”
“What?” he asked, surprised again at the authority of the expression.
Public-domain text, read in full here on John Shaqi.
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