Between the twilights : $b Being studies of Indian women by one of themselvesSorabji, Cornelia
General
Between the twilights : $b Being studies of Indian women by one of themselves
Sorabji, Cornelia
India -- Social conditions; Women -- India
* * * * *
I was musing sadly on children-widows that morning, because of a story
told to me by a friend. Someone visiting a local prison was attracted
by the misery of a woman who had murdered her child. He spoke to her,
and she said she wished that her own life had been taken, for she
loved her child, and all she had done was to right the wrong of early
widowhood. “Her husband died when she was five. Do not I, who have
lived a lifetime of widowhood, know what that means? Was I wrong to try
to save her from misery like to mine?”
In truth, apart from the written law, it is difficult to judge the
woman. She loved her child, and in her own opinion did no more than
pull her gently away from under the wheels of that Jagannath Car of
Hindu widowhood.
There was my “Dog-girl,” now just dead, poor child. What of her Mother?
she who has made war upon her only daughter since her second year. What
of her? There is no law to meet her case. What of her? “God has not
said a word.”
It is a graphic quarrel in three generations of women, and of women
living in the same Palace, only a courtyard dividing each from each.
Sullenly they lived, silently year in year out, not a single interest
coming from the outside world to distract their attention from their
hates and resentments. Traffic indeed with the world they had none.
Palace walls shut them in securely, shut them in with their broodings
and bemoanings, with the intrigues and loyalties of their several
waiting-women, and with one gray-white _Sarus_, the red-throated, a
ghost-bird, walking restlessly on his high stilts from courtyard to
courtyard.
I saw the solitary creature first in the cow-dust hour before the stars
come out, and he seemed to me somehow the embodiment of that quarrel,
the lost soul of the inharmonious.
Public-domain text, read in full here on John Shaqi.
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