Conrad felt too good even to be sorry that his shift was over. After
all, nothing happened except you came to, five days later, on your
next shift. The important thing was the rest day. He had always said
the last day of the shift should be a work day; then you would be glad
it was over. He guessed the idea was to rest the body before another
personality took over. Well, poor old Bill Walden never got a rested
body. He probably slept off the first twelve hours.
Walking unhurriedly through the street crowds, Conrad entered a public
shifting station and found an empty room. As he started to open the
door, a girl came out of the adjoining booth and Conrad hastily averted
his glance. She was still rearranging her hair. There were so many rude
people nowadays who didn't seem to care at all about the etiquette of
shifting, women particularly. They were always redoing their hair or
makeup where a person couldn't help seeing them.
Conrad pressed his identifying wristband to the lock and entered the
booth he had picked. The act automatically sent the time and his shift
number to Medicorps Headquarters.
Once inside the shifting room, Conrad went to the lavatory and turned
on the faucet of makeup solvent. In spite of losing two hours of his
rest day, he decided to be decent to old Bill, though he was half
tempted to leave his makeup on. It was a pretty foul joke, of course,
especially on a humorless fellow like poor Walden.
Conrad creamed his face thoroughly and then washed in water and
used the automatic dryer. He looked at his strong-lined features in
the mirror. They displayed a less distinct expression of his own
personality with the makeup gone.
He turned away from the mirror and it was only then that he remembered
he hadn't spoken to his wife before shifting. Well, he couldn't
decently call up and let her see him without makeup.
He stepped across to the visiophone and set the machine to deliver
his spoken message in type: "Hello, Clara. Sorry I forgot to call you
before. Bill Walden is forcing me to shift early again. I hope you're
not still upset about that business this morning. Be a good girl and
smile at me on the next shift. I love you. Conrad."
* * * * *
For a moment, when the shift came, the body of Conrad Manz stood
moronically uninhabited. Then, rapidly, out of the gyri of its brain,
the personality of Bill Walden emerged, replacing the slackly powerful
attitude of Conrad by the slightly prim preciseness of Bill's bearing.
The face, just now relaxed with readiness for action, was abruptly
pulled into an intellectualized mask of tension by habitual patterns of
conflict in the muscles. There were also acute momentary signs of clash
between the vegetative nervous activity characteristic of Bill Walden
and the internal homeostasis Conrad Manz had left behind him. The face
paled as hypersensitive vascular beds closed down under new vegetative
volleys.
Public-domain text, read in full here on John Shaqi.
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