Brothers -- Drama; Domestic drama; Farm life -- Drama
CAUTION: Professionals and amateurs are hereby warned that _Beyond the
Horizon_, being fully protected under the copyright laws of the United
States of America, the British Empire, including the Dominion of Canada,
and all other countries of the copyright union, is subject to a royalty.
All rights, including professional, amateur, motion picture, recitation,
public reading, radio broadcasting, and the rights of translation into
foreign languages, are strictly reserved. In its present form this play
is dedicated to the reading public only. All inquiries regarding this
play should be addressed to Richard J. Madden Play Company, at 1501
Broadway, New York, N. Y.
The non-professional acting rights of _Beyond the Horizon_ are
controlled exclusively by the Dramatists Play Service, Inc., 6 East 39th
Street, New York, N. Y., without whose permission in writing no
performance of it may be made.
_Manufactured in the United States of America_
CHARACTERS
JAMES MAYO, _a farmer_
KATE MAYO, _his wife_
CAPTAIN DICK SCOTT, _of the bark_ Sunda, _her brother_
ANDREW MAYO }
ROBERT MAYO } _sons of_ JAMES MAYO
RUTH ATKINS
MRS. ATKINS, _her widowed mother_
MARY
BEN, _a farm hand_
DOCTOR FAWCETT
ACT I
SCENE I: The Road. Sunset of a day in Spring.
SCENE II: The Farm House. The same night.
ACT II
(_Three years later_)
SCENE I: The Farm House. Noon of a Summer day.
SCENE II: The top of a hill on the farm overlooking the sea.
The following day.
ACT III
(_Five years later_)
SCENE I: The Farm House. Dawn of a day in late Fall.
SCENE II: The Road. Sunrise.
BEYOND THE HORIZON
ACT ONE
SCENE ONE
_A section of country highway. The road runs diagonally from the left,
forward, to the right, rear, and can be seen in the distance winding
toward the horizon like a pale ribbon between the low, rolling hills
with their freshly plowed fields clearly divided from each other,
checkerboard fashion, by the lines of stone walls and rough snake
fences._
_The forward triangle cut off by the road is a section of a field from
the dark earth of which myriad bright-green blades of fall-sown rye are
sprouting. A straggling line of piled rocks, too low to be called a
wall, separates this field from the road._
_To the rear of the road is a ditch with a sloping, grassy bank on the
far side. From the center of this an old, gnarled apple tree, just
budding into leaf, strains its twisted branches heavenwards, black
against the pallor of distance. A snake-fence sidles from left to right
along the top of the bank, passing beneath the apple tree._
Public-domain text, read in full here on John Shaqi.
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