Brothers -- Drama; Domestic drama; Farm life -- Drama
MRS. MAYO. Sh-h-h! (_She tries to put a finger across his lips, but he
twists his head away_).
ANDREW. (_who has regained control over himself_) You’re wrong, Pa, it
isn’t truth. (_With defiant assertiveness_) I don’t love Ruth. I never
loved her, and the thought of such a thing never entered my head.
MAYO. (_with an angry snort of disbelief_) Hump! You’re pilin’ lie on
lie!
ANDREW. (_losing his temper--bitterly_) I suppose it’d be hard for you
to explain anyone’s wanting to leave this blessed farm except for some
outside reason like that. But I’m sick and tired of it--whether you want
to believe me or not--and that’s why I’m glad to get a chance to move
on.
ROBERT. Andy! Don’t! You’re only making it worse.
ANDREW. (_sulkily_) I don’t care. I’ve done my share of work here. I’ve
earned my right to quit when I want to. (_Suddenly overcome with anger
and grief; with rising intensity_) I’m sick and tired of the whole damn
business. I hate the farm and every inch of ground in it. I’m sick of
digging in the dirt and sweating in the sun like a slave without getting
a word of thanks for it. (_Tears of rage starting to his
eyes--hoarsely_) I’m through, through for good and all; and if Uncle
Dick won’t take me on his ship, I’ll find another. I’ll get away
somewhere, somehow.
MRS. MAYO. (_in a frightened voice_) Don’t you answer him, James. He
doesn’t know what he’s saying. Don’t say a word to him ’til he’s in his
right senses again. Please James, don’t----
MAYO. (_pushes her away from him; his face is drawn and pale with the
violence of his passion. He glares at_ ANDREW _as if he hated him_) You
dare to--you dare to speak like that to me? You talk like that ’bout
this farm--the Mayo farm--where you was born--you--you---- (_He clenches
his fist above his head and advances threateningly on_ ANDREW) You
damned whelp!
MRS. MAYO. (_with a shriek_) James! (_She covers her face with her hands
and sinks weakly into_ MAYO’S _chair_. ANDREW _remains standing
motionless, his face pale and set_).
SCOTT. (_starting to his feet and stretching his arms across the table
toward_ MAYO) Easy there, Jim!
ROBERT. (_throwing himself between father and brother_) Stop! Are you
mad?
MAYO. (_grabs_ ROBERT’S _arm and pushes him aside--then stands for a
moment gasping for breath before_ ANDREW. _He points to the door with a
shaking finger_) Yes--go!--go!--You’re no son o’ mine--no son o’ mine!
You can go to hell if you want to! Don’t let me find you here--in the
mornin’--or--or--I’ll _throw_ you out!
ROBERT. Pa! For God’s sake! (MRS. MAYO _bursts into noisy sobbing_).
MAYO. (_he gulps convulsively and glares at_ ANDREW) You go--tomorrow
mornin’--and by God--don’t come back--don’t dare come back--by God, not
while I’m livin’--or I’ll--I’ll---- (_He shakes over his muttered threat
and strides toward the door rear, right_).
MRS. MAYO. (_rising and throwing her arms around him--hysterically_)
James! James! Where are you going?
Public-domain text, read in full here on John Shaqi.
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