Brothers -- Drama; Domestic drama; Farm life -- Drama
RUTH. (_with a strangled cry of joy_) Andy! Andy! (_She rushes and grabs
the knob of the screen door, about to fling it open_).
ROBERT. (_in a voice of command that forces obedience_) Stop! (_He goes
to the door and gently pushes the trembling_ RUTH _away from it. The
child’s crying rises to a louder pitch_) I’ll meet Andy. You better go
in to Mary, Ruth. (_She looks at him defiantly for a moment, but there
is something in his eyes that makes her turn and walk slowly into the
bedroom_).
ANDY’S VOICE. (_in a louder shout_) Ahoy there, Rob!
ROBERT. (_in an answering shout of forced cheeriness_) Hello, Andy! (_He
opens the door and walks out as_
(_The Curtain Falls_)
ACT TWO
SCENE TWO
_The top of a hill on the farm. It is about eleven o’clock the next
morning. The day is hot and cloudless. In the distance the sea can be
seen._
_The top of the hill slopes downward slightly toward the left. A big
boulder stands in the center toward the rear. Further right, a large oak
tree. The faint trace of a path leading upward to it from the left
foreground can be detected through the bleached, sun-scorched grass._
ROBERT _is discovered sitting on the boulder, his chin resting on his
hands, staring out toward the horizon seaward. His face is pale and
haggard, his expression one of utter despondency._ MARY _is sitting on
the grass near him in the shade, playing with her doll, singing happily
to herself. Presently she casts a curious glance at her father, and,
propping her doll up against the tree, comes over and clambers to his
side._
MARY. (_pulling at his hand--solicitously_) Dada sick?
ROBERT. (_looking at her with a forced smile_) No, dear. Why?
MARY. Play wif Mary.
ROBERT. (_gently_) No, dear, not today. Dada doesn’t feel like playing
today.
MARY. (_protestingly_) Yes, Dada!
ROBERT. No, dear. Dada does feel sick--a little. He’s got a bad
headache.
MARY. Mary see. (_He bends his head. She pats his hair_) Bad head.
ROBERT. (_kissing her--with a smile_) There! It’s better now, dear,
thank you. (_She cuddles up close against him. There is a pause during
which each of them looks out seaward_) (_Finally_ ROBERT _turns to her
tenderly_) Would you like Dada to go away?--far, far away?
MARY. (_tearfully_) No! No! No, Dada, no!
ROBERT. Don’t you like Uncle Andy--the man that came yesterday--not the
old man with the white mustache--the other?
MARY. Mary loves Dada.
ROBERT. (_with fierce determination_) He won’t go away, baby. He was
only joking. He couldn’t leave his little Mary. (_He presses the child
in his arms_).
MARY. (_with an exclamation of pain_) Oh! Hurt!
ROBERT. I’m sorry, little girl. (_He lifts her down to the grass_) Go
play with Dolly, that’s a good girl; and be careful to keep in the
shade. (_She reluctantly leaves him and takes up her doll again. A
moment later she points down the hill to the left_).
MARY. Mans, Dada.
Public-domain text, read in full here on John Shaqi.
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