Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
Unhappily, before Lord Walford had time to offer her all these
advantages, Cara had fallen in love with somebody else, and that
somebody was no other than Lancelot Davis, the poet, just then the
petted darling of dowagers, and of young married women whose daughters
were in the nursery, and who had therefore no fear of his fascinating
personality. Unfortunately for Lady Felicia, her head was too high
in the air for her to take note of the literary stars who shone at
luncheon parties, and even when her daughter praised the young poet,
and tried to interest her mother in his latest book, Lady Felicia took
no alarm. It was only in the beginning of their acquaintance that Cara
talked of the poet to her unresponsive mother. By the time she had
known him twenty days of that heavenly June, he was far too sacred
to be talked about to an unsympathetic listener. It was only to her
dearest and only bosom friend, who was also in love with the adorable
Lancelot, that Cara liked to talk of him, and to her she discoursed
romantic nonsense that would have covered reams of foolscap, had it
been written.
"Lancelot!" she said in low, thrilling tones. "Even his name is a poem."
Everything about him was a poem for Cara. His boots, his tie, his cane,
and especially his hair, which he took a poet's privilege of wearing
longer than fashion justified.
Though educated at the Stationers' School, and unacquainted with either
'Varsity, nobody ever said of Mr. Davis that he was "not a gentleman."
That scathing, irrevocable sentence, with the cruel emphasis upon the
negative, had not been pronounced upon the man who wrote "The New
Ariadne," a work of genius which scared the lowly-minded country vicar,
his father, and set his pious mother praying, with trembling and tears,
that the eyes of her beloved son might be opened, and that he might
repent of using the talents God had given him in the service of Satan.
Lancelot Davis had made up for the lack of 'Varsity training by
strenuous self-culture. He was passionate, exalted, transcendental,
more Swinburne than Swinburne, steeped in Dante and Victor Hugo,
stuffed almost to choking with Musset, Baudelaire, and Verlaine; he was
young, handsome, or rather beautiful, too beautiful for a man--Paris,
Leander, the Sun God--anything you like; and, at the time of his
wooing, his pockets were full of the proceeds of a book that had made a
sensation--and he was the rage.
Public-domain text, read in full here on John Shaqi.
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