Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
Vera's shyness wore off after two or three excursions in that ideal
spring-time. The weather had been exceptionally mild this season, and
there had been no unkind skies or cruel mistral to gainsay Dr. Wilmot's
praise of San Marco. It might almost seem as if Provana had been able
to buy sunshine as well as other luxuries. Day after day the friendly
little company of four set out upon some new excursion, to spots whose
very name seemed a poem. To Santa Croce, to Dolce Aqua, to Finalmarina,
to Colla, the little white town among the mountains, where there were
a church and a picture gallery, or by the Roman Road to the Tower of
Mostaccini, on a high plateau crowned with fir trees, with its view
over sea and shore, valley and wood, and far-off horizon; a place for a
picnic luncheon, and an afternoon of delicious idleness. To Vera such
days were unspeakably sweet. Could it be strange that she loved the
girl who had begun by loving her, and who was her first girl friend?
If she was not so impulsive as Giulia, she was as sensitive and as
sympathetic, and Giulia's sad history had interested her before they
met.
As friendship ripened in the familiarity of daily companionship, her
interest in Giulia's father grew stronger day by day. His devotion
to his daughter was the most beautiful thing she had ever known. He
was the first man with whom she had ever lived in easy intimacy--for
the uncles by blood or by marriage in whose houses she had been a
visitor had always held her at arm's length, and her shyness had been
increased by their coldness. The only creature of that superior sex
with whom she had ever been at her ease was her young cousin, Claude
Rutherford. He had been kind to her, and with him she had been happy;
but that friendship was of a long time ago--ages and ages, it seemed
to her, when she conjured up a vision of delicious days in the Park,
hairbreadth escapes in Claude's dinghy, and thrilling rides on his
Arabian pony.
Vera noticed that Signor Provana did not often join in the animated
conversation which Giulia and her governess kept up untiringly during
their morning drives. He was silent for the most part, and always
meditative. His dark grey eyes seemed to be seeing things that were far
away.
"You see Papa sitting opposite us, _cara_," said Giulia; "but you
must not think he is really with us. He is in London, or in Paris,
negotiating a loan that may mean war. He has to provide the sinews of
war sometimes; and I tell him he is responsible for the lives of men.
His thoughts are a thousand miles away, and he doesn't hear a word of
our foolish talk. _Non è vero, Padre?_"
He looked at her with his fond parental smile. "I hear something like
the songs of birds," he said; "and it helps me to think. Go on talking,
_anima mia_. I like the sound, if I miss the sense."
"I have been telling Vera about Browning. She knows nothing of
Browning, though she is a poet's daughter. Is not that dreadful?"
Public-domain text, read in full here on John Shaqi.
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