Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
She looked back at her own fatherless years--remembering but as a dream
the father whom she had last seen on her birthday, when she was three
years old--and when a woman in whose rustic cottage she had been living
for what seemed a long time, took her to the nursing home where the
fading poet was lying on a sofa in a garden. It was to be her birthday
treat to visit "poor Papa, who would be sure to have something pretty
for her." But the poet had no birthday gift for his only child. He had
been too ill to think much about anything but his own weakness and
pain. He had not remembered his little girl's third anniversary. He
could only give her kisses, and sighs and tears; and she clung to him
fondly, and said again and again: "Poor Papa, poor Papa!"
Kind Mrs. Humphries, of the pretty rose-covered cottage, had told her
that Papa was ill, and had taught her to pray for him.
"Please God, bless poor Papa, and make him well again."
The prayer was not answered, and that spectral face, beautiful even on
the brink of the grave, was all she could remember of a father.
And then had come the long, slow years with Grannie, who had been
kind after her lights, but who required the subjugation of almost all
childish impulses and inclinations. Long years in which Vera had to
amuse herself in silence, and play no games that involved running about
a room, or disturbing things. She had been surrounded by things that
she must not touch; and her rare toys, the occasional gifts of aunts
and cousins, were objects of reprobation if they were ever left on a
chair or a table where they could offend Grannie's eye. The winter
season, when there was only one habitable room, was terrible; for then
Grannie was always there, and to play was impossible. She could only
sit on a hassock in her favourite corner and look at old story books,
too painfully familiar; and if she began to sing or to talk to herself,
there came a reproachful murmur from Grannie's sofa: "My dear child, do
you think I have no nerves?"
The summer was better, for she could play in the second-floor bedroom,
which she shared with Lidcott, a room with three windows upon which
the sun beat fiercely, but where she could talk to her dolls, and sing
them to sleep, and do anything except run about, as she had always to
remember that every step would beat like a hammer upon poor Grannie's
head.
And in these years Giulia, who was within a few months of her own
age, was being indulged with everything that could make the bliss of
childhood, in the loveliest country in the world, and then, as she grew
into a thinking, reasonable being, she had been her father's dearest
companion, his distraction after the dull round of business, his
choicest recreation, his unfailing delight. It was worth while to die
young after such a childhood, Vera thought.
Public-domain text, read in full here on John Shaqi.
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