Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
Romantic was one of her pet words. Her vocabulary was made up of pet
words, a jargon of divers tongues, and she used them without mercy.
She was very small, very whimsical and pretty, as neat and dainty as
a Dresden shepherdess; but she got upon some people's nerves, and was
occasionally accused of posing, though she was actually as spontaneous
as a tropical parasite in a South American forest, a little egotist,
who thought, spoke, and acted only on the impulse of the moment, and
whose mind had no room for the idea of an external world, except as
its people and scenery were of consequence to herself. The people she
did not know or care about were non-existent. Romantic was her word
for Madame Provana. She adored Madame Provana, with whom she had some
thin thread of affinity, the kind of distant connection that pervades
the peerage, and makes it perilous for an outsider to talk of any
recent scandal in high life, lest he should fall upon a cousin of the
delinquent's.
"Vera and I are connections. Her grandmother was a Disbrowe," Lady
Susan told people. "But it is not on that account I adore her. I love
her because she is romantic; and so few of the people one knows are
romantic."
If asked where the romance came in, Susan was ready with her reasons.
"Can there be anything more romantic than the idea of a lovely,
ethereal creature, who looks as if a zephyr might blow her off her
feet, married to an ugly giant whose sole thought and business in this
life is to heap up riches, a man who cares for nothing but money, whose
brain is a ledger, and whose heart is a cheque-book? Can anything be
more romantic, when one considers the woman she is and the man he is,
and that they absolutely dote upon each other?"
"Provana may dote," someone would say; "but I question the lady's
feelings. That an impassioned Italian should be fond of a pretty woman,
young enough to be his daughter, and whom he married without a penny
for the sake of her sweet looks, all the world can understand. But
that Madame Provana worships her money-merchant is another story."
"Did not Desdemona dote upon Othello?" cried Susan. "At least Provana
is not black, and adoration such as his would melt a statue. To be
worshipped by a case-hardened money-dealer, a man who trades in
millions, and holds the sinews of war when nations are spoiling for
a fight, a man who is a greater master of finance than half the
Chancellors of the Exchequer who have helped to make history! To see
how he worships that child-wife of his! It is absolutely pathetic."
"Pathetic" was the pretty Susie's word for Mario Provana. She used the
adjective at the slightest provocation. "You are absolute pathetic,"
she said, when he brought his wife a necklet of priceless cat's
eyes set with brilliants, and handed her the velvet case across the
tea-table as carelessly as if it had been a box of bonbons.
He was pathetic, _impayable_, _stupendo_, all the big adjectives in
little Lady Susie's vocabulary.
Public-domain text, read in full here on John Shaqi.
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