Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
Vera did not think of Society in that tragic hour of an awakened
conscience. That which would have been the first thought with most
women had no place in her mind. It was of her sin that she thought--the
sin of inconstancy, of ingratitude, of faithlessness. Had she crossed
the border line, and qualified herself for the Divorce Court, she could
not have thought of herself with deeper contrition.
To love this other man better than she loved her husband; to long for
his coming; to be happy when he was with her, and miserable when he was
away; there was the sin.
But no word of love had been spoken. There was time for repentance.
He did not know that she loved him. Although, looking back, and
recalling words and tones of his, she could not doubt that he loved
her, she could hope that no word of hers had revealed the passion whose
development had been gradual and imperceptible as the growth of the
leaf buds in early spring, which no eye marks till they flash into life
in the first warmth of April.
Her friendship with this man, who was of her kindred, the companion
of the only happy days of her childhood, had seemed as natural as it
would have been to attach herself to a brother from whom she had long
been separated. She had welcomed him with a childish eagerness, she had
trusted him with a childish belief in the perfection of the creature
who is kind. She had admired him--comparing him with all the other
young men she knew, and finding him infinitely above them. His very
weakness had appealed to her. All that was wanting in his character
made him more likable, since compassion and regret mingled with her
liking. To be so clever, so gifted by nature, and to have done nothing
with nature's gifts--to be doomed to go down to death leaving his
name written in water--to die, having finished nothing but his _beaux
jours_: people who liked him best talked of him as a young man with a
_beau passé_. Shoulders were shrugged, and smiles were sad, when his
painter friends discussed him.
"We thought he was going to do great things in art, and he has done
nothing."
Soldiers who remembered him before he left the Army lamented the loss
of a man who was made for a soldier.
There had been trouble--trouble about a woman that had made him
exchange to a line regiment--and then the war being over, and the
chance of active service remote, disgust had come upon him, and he had
done with soldiering.
Vera had seen the shoulders shrugged, and had heard the deprecating
criticism of this kinsman of hers, and had been all the kinder to him
because Fate had been cruel.
She had tried to fire him with new hope; she had been ambitious for
him; had steeped herself in art books, and spent her mornings in
picture galleries, in order that she might be able to talk to him. She
had implored him to go back to his work, to paint better pictures than
he had painted when critics prophesied a future from his work.
"I am too old," he said.
Public-domain text, read in full here on John Shaqi.
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