Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
Then--waking in the first faint flush of a summer dawn, after a night
of troubled sleep and feverish dreams--a night succeeding one of those
dismal days that she had been obliged to endure without the sight
of the familiar face, the glad, gay call of the familiar voice, the
sound of the light footstep on the stairs--she told herself for the
first time, with unutterable horror, that this man was dearer to her
than he ought to be--dearer than her husband, dearer than her peace
of mind, dearer than all this world held for her and all the next
world promised. Oh, the wickedness of it! the shame, the horror! To be
false to him--the man who had put his strong arms round her and lifted
her out of the dismal swamp of shabby gentility and taken her to his
generous heart; the man who trusted her with unquestioning faith, who
had never by word or look betrayed the faintest doubt of her truth and
purity.
No lovers' word had been spoken, no lovers' lips had met; yet as she
rose from that uneasy bed, and paced the spacious room in fever and
agitation, a ghostly figure, with bare feet and streaming hair, and
long white draperies, she felt as if she were steeped to the lips in
dishonour--a monster of ingratitude and treachery.
And then she began the struggle that most women make--even the weaker
souls--when they feel the downward path sloping under their feet, and
know that the pit of shame lies at the bottom of it, though they cannot
see it yet--the impotent struggle in which all the odds are against
them, their environment, every circumstance of their lives, their
friends, the nearest and dearest even, to whom they cannot cry aloud
and say: "Don't you see that I am fighting the tempter, don't you see
that I am half way down the hill and am trying to make a stand, that
I am over the edge of the cliff, and am hanging to the bushes with
bleeding, lacerated hands in the desperate endeavour to keep myself
from falling? Have you neither eyes nor understanding that you don't
try to help me?" Rarely is any friendly hand stretched out to help the
woman who sees her danger and tries to escape her doom. Acquaintances
look on and smile. These open secrets are accepted as a part of the
scheme of the universe, a particular phase of existence that doesn't
matter as long as the chief actors are happy. The wife, her familiar
friend, her complaisant or indifferent husband, are smiled upon by a
society of men and women who know their world and take it for what it
is worth. Only when the actors begin to play their parts badly, and
when the open secret becomes an open scandal, does Society cease to be
kind.
Public-domain text, read in full here on John Shaqi.
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