The revenue officers of the city went down through the olive groves that lined the beach to collect a tariff from all nations. The youth of all peoples sported in her isthmian games and the beauty of all lands sat in her theaters, walked her porticos and threw itself upon the altar of her stupendous dissipations. Column, statue and temple bewildered the beholder. There were white marble fountains into which, from apertures at the side, there gushed waters everywhere known for health-giving qualities. Around these basins, twisted into wreaths of stone, there were all the beauties of sculpture and architecture; while standing, as if to guard the costly display, was a statue of Hercules of burnished Corinthian brass. Vases of terra cotta adorned the cemeteries of the dead--vases so costly that Julius Cæsar was not satisfied till he had captured them for Rome. Armed officials paced up and down to see that no statue was defaced, pedestal overthrown or bas-relief touched. From the edge of the city the hill held its magnificent burden of columns and towers and temples (one thousand slaves waiting at one shrine), and a citadel so thoroughly impregnable that Gibraltar is a heap of sand compared with it. Amid all that strength and magnificence Corinth stood and defied the world. Oh, it was not to rustics who had never seen any thing grand that Paul preached in Corinth. They had heard the best music that had come from the best instruments in all the world; they had heard songs floating from morning porticos and melting in evening groves; they had passed their whole lives among pictures and sculpture and architecture and Corinthian brass, which had been molded and shaped until there was no chariot wheel in which it had not sped, and no tower in which it had not glittered, and no gateway that it had not helped to adorn. Ah, it was a bold act for Paul to stand there amid all that and say: “All this is nothing. These sounds that come from the Temple of Neptune are not music, compared with the harmonies of which I speak. These waters rushing in the basin of Pyrene are not pure. These statues of Bacchus and Mercury are not exquisite. Your citadel of Acro-Corinthus is not strong, compared with that which I offer to the poorest slave who puts down his burden at that brazen gate. You Corinthians think this is a splendid city; you think you have heard all sweet sounds and seen all beautiful sights. But, I tell you, eye hath not seen nor ear heard, neither have entered into the heart of man, the things which God hath prepared for them that love Him.” Following up Paul’s line of thought, we may say the Bible, now, is the scaffolding to the rising Temple, but when the building is done there will be no further use for the scaffolding. PHARAOH.