Bibliographic Notes on One Hundred Books Famous in English Literature — John Shaqi
Bibliographic Notes on One Hundred Books Famous in English LiteratureKent, Henry Watson
History
Bibliographic Notes on One Hundred Books Famous in English Literature
Kent, Henry Watson
Best books; English literature -- First editions -- Bibliography; English literature -- History and criticism
"The diuiſion and ſumming up of the Chapters was not of
Sir Philip Sidneis dooing, but aduentured by the ouerſeer
of the print, for the more eaſe of the Readers. He therfore
ſubmits himſelfe to their judgement, and if his labour
anſwere not the worthines of the booke, deſireth pardon
for it. As alſo if any defect be found in the Eclogues,
which although they were of Sir Phillip Sidneis writing, yet
were not peruſed by him, but left till the worke had bene
finiſhed, that then choiſe ſhould haue bene made, which
ſhould haue bene taken, and in what manner brought in.
At this time they haue bene choſen and diſposed as the
ouer-ſeer thought beſt."
Whoever the overseer may have been, whether in the employment
of Ponsonby, Windet, or Field, and however unfortunate the
result of his literary judgment, he produced a book which for
beauty may take its place with the best of the period. The
Roman type and excellent press-work distinguish it amongst
the mass of inferior productions. Large ornamental initial
letters, more or less related, are used at the beginning of
all the Books, while Book I begins with an especially fine
allegorical woodcut initial representing a crowned Tudor rose,
Justice with her foot on Medusa's head, and Peace. Head- and
tail-pieces, some of type metal and some woodcuts, are used at
the beginning of the Books to give added effect. At the end
of the sixteenth chapter of Book III is a panel made of
type-metal ornaments, intended to hold the lines referred to
in the words: "Vpon which, Baſilius himself cauſed this
Epitaph to be written." These, however, owing to the printer's
oversight, were never added.
In setting up the title-page, it may be that Ponsonby followed
Sidney's hint, and so sought "the chief protection" of the
name of the Countess, and, not content with the name alone,
added the coat-of-arms of the Sidney family.
Quarto. Roman.
COLLATION: _A-Zz, in eights_.
EDMUND SPENSER
(1552?-1599)
12. The Faerie | Queene. | Diſpoſed into twelue books, |
Faſhioning | XII. Morall vertues. | [Printer's mark] London |
Printed for William Ponſonbie. | 1590.
On December 1, 1589, "Maſter Ponſonbye. Entered for his
Copye, a booke intytuled _the fayrye Queene dyspoſed into
xij. bookes. &c._ Aucthoryzed vnder thandes of the Archbishop
of Canterbery, and bothe the wardens ... vj^{d}."
Public-domain text, read in full here on John Shaqi.
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