Bibliographic Notes on One Hundred Books Famous in English LiteratureKent, Henry Watson
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Bibliographic Notes on One Hundred Books Famous in English Literature
Kent, Henry Watson
Best books; English literature -- First editions -- Bibliography; English literature -- History and criticism
In the matter of purity of text this edition is inferior
to the second, as Caxton himself thus early recognized; the
manuscript from which it was printed, Tyrwhitt tells us,
"happened unluckily to be one of the worst in all respects
that [he] could possibly have met with." But however that may
be, the _Canterbury Tales_ is entitled to a chief place among
English books as presenting the first printed text of Chaucer,
who, "by hys labour enbelysshyd, ornated, and made faire our
englisshe."
Folio. Black letter.
COLLATION: _371 leaves; sixteen of which are in facsimile._
JOHN GOWER
(1325?-1408)
2. This book is intituled, confeſ- | ſio amantis / that is to saye
| in englysshe the confeſſyon of | the louer maad and compyled
by | Johan Gower squyer borne in walys | ... (Colophon) Enprynted at
Westmestre by me | Willyam Caxton and fynyſſhed the ij | day of
Septembre the fyrſt yere of the | regne of Kyng Richard the thyrd /
the yere of our lord a thouſand / CCCC / | lxxxxiij / (a mistake for
1483).
The text is a composite one, being taken from at least three
MSS. Manuscripts are extant in three versions: the earliest is
dedicated to Richard II, and contains a panegyric on Chaucer;
the second is dedicated to Henry of Lancaster, but the poets
having quarreled, the panegyric is omitted; and the third is
likewise addressed to Henry, but with certain differences in
the work. With the exception of these variations, the text is
alike in all.
The type of the printed work exhibits two variations of the
same characters, and is called Type No. 4, and No. 4*. It is
the smallest font employed by Caxton in any of his books, and
the most used, thirty-one volumes having been printed between
1480 and 1487 in one or the other or in both variations.
The printer does not, as in the following work, write a
special prologue or preface to the _Confessio_, but states
all the facts he knows concerning it in the introductory
paragraph, or title, at the beginning of the first column.
The book has no catchwords or folios, and the signatures are
irregularly printed. Seventeen copies were known to Blades:
three in the British Museum; Cambridge, Pembroke College,
Cambridge, Hereford Cathedral, Lambeth Palace Library, Queen's
College, and All Souls, Oxford, each having one; while eight
were in private libraries.
Public-domain text, read in full here on John Shaqi.
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