Big Game Shooting, volume 1 (of 2)Phillipps-Wolley, Clive
General
Big Game Shooting, volume 1 (of 2)
Phillipps-Wolley, Clive
Game and game-birds; Hunting
I have often been asked to write the stories of the illustrations
given in the chapters on South Africa, but have hitherto declined, on
the plea that the British public had had quite enough of Africa, and
that all I could tell would be very old. As I now stand midway between
seventy and eighty I trusted I might, in the ordinary course of nature,
escape such an undertaking; but in the end of ’91 the best shot,
sportsman and writer that ever made Africa his field--I refer to my
good friend Sir Samuel Baker--urged me to put my experiences on paper;
and Mr. Norton Longman at the same time promising that, if suitable, he
would find them a place in the Badminton volume on ‘Big Game,’ I was
over-persuaded, made the attempt, and here is the result.
The illustrations are taken from a set of drawings in my possession by
the best artist of wild animal life I have ever known--Joseph Wolf.
After describing the scene, I stood by him as he drew, occasionally
offering a suggestion or venturing on two or three scrawling lines of
my own, and the wonderful talent of the man produced pictures so like
the reality in all essential points, that I marvel still at his power,
and feel that I owe him most grateful thanks for a daily pleasure.
Many of the scenes it would have been impossible to depict at the
moment of their occurrence, so that even if the chief human actor
had been a draughtsman he must have trusted to his memory. Happily I
was able to give my impressions into the hands of a genius who let
them run out at the end of his fingers. They are rather startling, I
know, when looked through in the space of five minutes; but it must be
remembered that they have to be spread over five years, and that these
are the few accidents amongst numberless uneventful days. I was once
asked to bring these sketches to a house where I was dining. During
dinner the servants placed them round the drawing-room, and on coming
upstairs I found two young men examining them intently. ‘What’s all
this?’ one asked. ‘I don’t know,’ the other replied. ‘Oh, I see now,’
the first continued, ‘a second Baron Munchausen; don’t you think so?’
he inquired, appealing to me. We were strangers to each other, so I
corroborated his bright and certainly pardonable solution; but they are
true nevertheless. I have kept them down to the truth: indeed, two of
them fall short of it. I am very well aware that there are two ways of
telling a story, one with a clearly defined boundary, the other with a
hazy one, over which if your reader or hearer pass but a foot’s length
he is in the realms of myth. I think I had my full share of mishaps;
but I was in the saddle from ten to twelve hours a day for close upon
five seasons, and general immunity, perhaps, induced carelessness.
I may say now, I suppose, that I was a good rider, and got quickly
on terms with my game. I was, however, never a crack shot, and not
very well armed according to present notions, though I still have the
Public-domain text, read in full here on John Shaqi.
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