Bigfoot Joe, and Others: Figments of FancyBedford-Jones, H. (Henry)
General
Bigfoot Joe, and Others: Figments of Fancy
Bedford-Jones, H. (Henry)
American literature
"It is my work--I am strong, me! You little man, wear four eyes."
His gaze swept in contempt over the visitor. "Dis tree, she's be my
brudder; she's be tall, strong like me. 'Bon!' she's say. 'You good
lumberjack, you Joe!'" And his axe bit a deep chord of assent from
the heart of the pine.
The Great Author perceived that here was a philosopher, who drew from
the woods his one rule: "Work! You are here; so it is evident that
you were to be a lumberjack--but be careful to be a _good_
lumberjack!"
The halfbreed was a poet, for he could read the secret heart of the
woods and make response from his own. He was a painter, whose brush
was the axe; with that brush he limned great canvases, whose truth
all woodsmen loved instantly.
The Philosopher groped after his soul, the Painter strove to express
his soul, and the Poet tried to clothe his soul in words. The
half-breed, caring nothing about soul, struck fire from the spirit of
the Great Author, who knew what a plain thing the soul really is;
this, in fact, was why he was a Great Author.
And so, when he had returned again to his own country, the Great
Author neglected to write about the famous Artists. Instead, he
penned a wonderful tale about a halfbreed Indian, and the world cried
out in rapture.
But the three Artists bitterly termed him an ignorant fakir.
From the "Sonnet" of Felix Arvers
Within my soul there lies a secret, thieved
Eternally from Love, that knows no sleep.
All innocent it she whose name lies deep
Enshrined upon my heart, nor has she grieved
With love's kind sorrow; naught have I achieved
Though alway at her side. Thus shall I keep
My secret, while I live. How might I reap
Rewards unsought, when none can be received?
For she, to whom God gave a soul so tender,
Goes calmly on her way, and will not hear
The murmured homage Love would gladly render;
So pure is she, so quiet and austere!
Scanning my lines, "Who can this angel be?"
She smiling asks--and fails herself to see.
THE CLEAR WORD
There has been a good deal of mysticism in the public prints
lately--emanations from Point Loma, perhaps; subtle propaganda.
They are interesting, these men with the wide eyes. They write about
a multitude of things; they are masters of glowing phrases, golden
wordings, witchery of thought.
Eternally invincible are they, being very nebulous and vague. So
lofty are their ideals and visions that never by any chance can they
be brought down to concrete wordings. Fixed in the abstract, they
leave to their readers the interpretation of these sacred
thought-gems.
Public-domain text, read in full here on John Shaqi.
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