"'_L'ame d'un symboliste,
Madame, est un coffret melancolique d'amethyste
A serrure de diamant.
Il suffit de savoir l'ouvrir et la comprendre
Et le tresor eclos illumine la chambre
Et sourit la tristesse aux levres des amants._'"
"Is that at all amusing?" asked M. de Rueille.
"Well, hang it all!" exclaimed Jean irritably, "I do not say that it
is precisely a _chef-d'oeuvre_! Bijou asked for a couplet--I have
given her a couplet to the best of my ability, but I don't wish to
hinder you from giving us a better one."
"To what air will that go?" asked Bijou.
"Ah, yes, that's true, we want an air for it. What is there?"
"You might put '_Air. J'en guette un petit de mon age_,'" suggested
Rueille.
"Does that go to it?"
"What do you mean by 'does it go to it?'"
"Why, that air."
"I don't know. I don't even know what the air is."
"Then why do you suggest that we should take it?"
"Oh! because I often see things to that air: '_J'en guette un petit de
mon age._' I just remembered seeing it, and there are lots of couplets
that are put to it."
"But the poet's lines are longer than that," remarked Bijou,
"especially the second one. No--one could never sing them to that
air--nor to any other."
"Ah, yes!--I did not think of that."
"Fortunately, Bijou thinks of everything," put in Pierrot, with pride.
"We'll find an air for it presently," said Jean. "Let's go on; do
let's go on, or we never shall finish it. Who's on the stage at
present?"
And then, as M. de Rueille was biting the end of his pen and watching
Bijou, so that he did not appear to have heard, Blaye exclaimed:
"Paul, are you there? or have you gone out for a time?"
"I am there."
"Oh, very well! then will you have the kindness to tell me which of
the characters are at present on the scene?"
"Wait a minute! I'll just look."
"What?" exclaimed Bijou, "do you mean to say you have to look before
you can tell us?"
"Well, you do not imagine, I presume, that I know by heart all the
insane things that each of you has been pleased to dictate to me."
"I know them all anyhow," and then, turning towards Jean de Blaye, she
answered his question. "We have on the scene at present, Venus, the
Poet, Thomas Vireloque, and the Opportunist, and we said yesterday
that after the introduction of the Poet to Venus, we would let Madame
de Stael come in."
"Very well, we will let her enter at once."
"Have you found anyone for Madame de Stael?" asked Rueille; "up to the
present no one has wanted to act her part."
"No," said Bijou; "just now I asked Madame de Juzencourt again, but
she refuses energetically; and if Bertrade refuses too--"
"Bertrade refuses absolutely," replied the young wife, very gently.
"It isn't nice of you."
"Is Madame de Stael indispensable?" asked Uncle Jonzac.
Public-domain text, read in full here on John Shaqi.
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