The old melodeon that I remember was rickety and out of repair when I was a prattling infant, was on the stage last evening. It is about the size of a mouth organ, but the tone is not as clear. It is getting wheezy, and a short breath shows that it is beginning to feel the infirmities of age. The pumping arrangement makes more noise than the music, and something is the matter with the exhaust pipe. But when the old man opened the throttle and gave her sand, she would make a good deal of racket for such a little thing. After the concert was over, Mr. Hutchinson rolled up the melodeon in his pocket handkerchief and took it home. Take the entertainment up one side and down the other, I was not much tickled with it. For those who like to drift back into the musty centuries gone by, and shake hands with the skeletons of forgotten ages, it is all right; but the time has come when a troupe cannot travel upon anything but true merit, and the public require that those who ask for money shall give some kind of an equivalent. SOME REASONS WHY I CAN'T BE AN INDIAN AGENT. |I see by the Western press that my name has been suggested to the Secretary of the Interior as a suitable one for the appointment of Indian Agent at the Uncompahgre Agency to succeed Berry; and, while I must express my grateful acknowledgment for the apparent faith and childlike confidence reposed in me by the people of Colorado, I must gently but firmly decline the proffered distinction. In the first place, my other duties will not admit of it. My time is very much occupied at present in my journalistic work, and should there be a falling off in my chaste and picturesque contributions to the press, the great surging world of literature would be surprised and grieved. Again, I could not entirely lay aside this class of work anyway, even were I to accept the position, and as I cannot write without being wrapped in the most opaque gloom and perfect calm I would be annoyed, I know, by the war-whoops of the savage when he got to playing croquet in the front yard, and whenever he got to shooting at me through the window while I was composing a poem, I am perfectly positive that I would get restless and the divine afflatus would cease to give down. The true poet loves seclusion and soothing rest. That is the secret of his even numbers and smooth cadences. Look at Dryden, and Walt Whitman, and Milton, and Burns, and the Sweet Singer of Michigan. What could any of them have done with the house full of children of the forest who were hankering for a fresh pail of gore for lunch?