Would your readers please say, also, if any of them have had any
experience in fox-hunting, what is the best treatment for a horse which
has injured himself on a barbed-wire fence while in rapid pursuit of the
fox? I have a fine fox-hunter that I bought two years ago from a
milk-man. This horse was quite high-spirited, and while the hounds were
in full cry one day I had to take a barbed-wire fence with him. This
horse, which I call Isosceles, because he is one kind of a triangle,
went over the fence in such a manner as to catch the pit of his stomach
on the barbed wire and expose his interior department and its methods
to the casual spectator. We put back all the stomachs we thought he was
entitled to, but he has not done well since that, and I have often
thought that possibly we did not succeed in returning all his works. How
many stomachs has the adult horse? I am utterly and sadly ignorant in
these matters and I yearn for light.
I certainly favor a more thorough knowledge of animal anatomy on the
part of our school-children.
Every child should know how many stomachs, bowels and gizzards there are
in the fully equipped cow or horse. Nothing is more embarrassing to the
true sportsman than to see his favorite horse ripped open by a
barbed-wire fence while in full chase, and then not know which digestive
organ should go back first, or when they have all been replaced.
So far as Isosceles is concerned, I remember thinking at the time that
we must have put back inside of his system about twice as much digestive
apparatus as he had before, as my earth-stopper said that we had given
that horse enough for a four-horse team, and yet he is ill.
I would like to hear from any of the fox-hunters in Cook county who may
have had a similar experience.
[Illustration]
BILL NYE ATTENDS BOOTH'S "HAMLET."
CLEVELAND, O., Oct. 27, 1886.
Last evening I went to hear Mr. Edwin Booth in "Hamlet." I had read the
play before, but it was better as he gave it, I think.
The play of "Hamlet" is not catchy, and there is a noticeable lack of
local gags in it. A gentleman who stood up behind me and leaned against
his breath all the evening said that he thought Ophelia's singing was
too disconnected. He is a keen observer and has seen a great many plays.
He went out frequently between the acts, and always came back in better
spirits. He noticed that I wept a little in one or two places, and said
that if I thought that was affecting I ought to see "Only a Farmer's
Daughter." He drives a 'bus for the Hollenden Hotel here and has seen a
great deal of life. Still, he talked freely with me through the evening,
and told me what was coming next. He is a great admirer of the drama,
and night after night he may be seen in the foyer, accompanied only by
his breath.
Public-domain text, read in full here on John Shaqi.
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