Billy Barcroft, R.N.A.S.: A Story of the Great WarWesterman, Percy F. (Percy Francis)
History
Billy Barcroft, R.N.A.S.: A Story of the Great War
Westerman, Percy F. (Percy Francis)
World War, 1914-1918 -- Aerial operations -- Juvenile fiction
Behind him stood the helmsman at the steam-steering gear, his eyes
fixed upon the cryptic movements of the operator's hands, as the
latter transmitted the course to the quartermaster.
The principle of the microphone signalling apparatus is simple
enough. In the vessel's hold and as far beneath the waterline as
possible, are two metal tanks each filled with water and containing
two sensitive instruments that readily pick up sounds transmitted
through the medium afforded by the sea. One tank is placed on the
starboard the other on the port side, and both are connected by
wires with the receiver in the chart-room.
Supposing the operator hears the thud of a distant propeller, and
the sound is more distinct from the port side he knows that the
submerged vessel is somewhere in that direction. Conversely, the
sound being greater in the right-hand receiver he is able to locate
the object emitting the sound as being on the starboard side of the
ship. When the volume of sound passing through both receivers is
equal the operator knows that the vessel's bows are pointing
practically "dead on" to the unseen but audible peril.
"That's all very fine," remarked Kirkwood. "But supposing that man
has a cold in one ear. How is he to guard against being misled by
the inequalities of hearing? I've heard of a fellow being deaf in
one ear and not knowing it for months."
"The inventors have taken that into consideration," replied
Tressidar. "That's why both ears are connected with the receiver on
one side only of the vessel at a time. As he turns that switch from
side to side both ears are listening to the sounds from the port and
starboard tanks alternately. What's that?" he added, addressing the
operator. "Three cables ahead? This won't do; she's gaining on us."
The skipper quitted the chart-room, followed by the three airmen.
Coming from the lighted compartment; they were momentarily dazzled
by the transition from artificial illumination to murky, pitch-black
night.
"Increase speed to fifteen knots," ordered Tressidar. "Where there's
water for that strafed U-boat there's enough for us.... Overhauling
her? All right; twelve knots, then."
"Those fellows have plenty of nerve," remarked Barcroft, "or else
they've no nerves at all. Suppose fog doesn't make the slightest
difference to them when they are submerged, but to us it appears
otherwise. What is that U-boat doing, I should like to know,
plugging along at twelve knots and in the direction of the British
coast?"
"Keeping a pressing appointment, perhaps," said the A.P. with a
laugh.
"Many a true word spoken in jest, old bird," rejoined the
flight-sub. "It is----"
"A little less talking there, if you please," interrupted Tressidar
curtly.
The three airmen took the hint. It was only on very rare occasions
that the genial lieutenant-commander "choked any one off." It was an
indication of the mental strain upon the skipper of the "Antipas."
Public-domain text, read in full here on John Shaqi.
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